Honourable Pagan Queens
By Theresa Tomlinson
On the surface of it, the biased, pro-Roman, religious histories,
written by a monk of Jarrow who possibly never left his monastery, might not
sound appealing as the inspiration for historical fiction, but I have found
myself completely hooked by the enticing glimpses Bede gives of many historical
events and characters who were not at the forefront of action, but nevertheless,
were extremely influential. Bede is not generally known for his championing of
women, but there are notable instances when he emphasises the authority and
importance of certain holy women e.g. Hild of Whitby - and hidden amongst the dramatic
tales of the many kings and saints, he also gives brief impressions of other
women, whose prestige and significance he quietly acknowledges. Perhaps the
most surprising of all are Bede’s references to pagan queens.
REDWALD’S HONOURABLE QUEEN.
Redwald was the King of the East Angles, usually linked with
the Sutton Hoo burial. Sadly we do not even know the name of his queen, but we
know that she was a pagan, because when Redwald returned to East Anglia from a
visit to Kent and announced that he’d been baptised as a Christian, Bede tells
us that ‘his wife and certain perverse advisers
persuaded him to apostatize from the true faith.’
Edwin of Northumbria exiled in his youth, sought shelter at
the East Anglian Court ,
where the queen would have taken the role of hostess. When emissaries arrived
from Athelfrid of Northumbria offering gold in exchange for the young prince’s
murder, and issued threats of war if his demand was refused, Redwald was
tempted to take the easy way out and order the murder of his guest, but then
Bede tells us: ‘when he (Redwald)
privately told the queen of his intention… she dissuaded him, saying that it
was unworthy in a great king to sell his best friend in the hour of need for
gold, and worse still to sacrifice his royal honour, the most valuable of all
possessions, for love of money.’
Despite his disapproval of her pagan ways, Bede’s warmth for
her decency and sense of fairness seems to leap from the page.
CYNEWISE, QUEEN OF THE MERCIANS.
Cynewise was Penda’s queen and though her actions are not
referred to directly by Bede, he does mention her clearly in a paragraph that
again suggests that she was a woman of considerable power and status. Penda’s
battles with both Oswald and Oswy of Northumbria continued for many years and
eventually their disagreement came to a head at the Battle of the Winwaed, at which Penda was
killed. Bede comments that Oswy’s son Egfrid, who was 10 or 11 years old: ‘was at that time held hostage at the court
of Queen Cynewise in the province of the Mercians.’ It is a tiny mention,
but it tells us a great deal. Penda had a named wife who was considered to be
queen of the Mercians, she held her own court and was given the responsible
position of being in charge of hostages. Hostage taking was common practice
between warring kingdoms and it seems to have been used as a guarantee of friendly
behaviour from the other side. When Oswy led his followers into battle against
Penda he was putting his young son’s life at risk. As soon as Cynewise heard of
her husband’s death, she would have been well within her rights to have taken
her revenge by ordering Egfrid to be put to death – but Egfrid survived to
become King of Northumbria on his father’s death. We don’t know what happened.
Had Cynewise become fond of the young boy put into her care? Did she use him as
a bargaining tool for her own safety or that of her sons? I have speculated
imaginatively on the possibilities in BETTER THAN GOLD.
ACHA AND BEBBA – WIVES OF ATHELFRID
Both of these queens are shadowy figures mentioned extremely
briefly by Bede, but we learn a great deal from his writings about their times,
families and descendants.
ACHA was the daughter of Aelle, King of Deira. Bede mentions
her only once as Oswald’s mother: ‘Oswald
was nephew to King Edwin by his sister Acha; and it is fitting that so great a
predecessor should have had so worthy a man of his own blood to maintain his
religion and his throne.’
Acha’s life must have been fraught with
difficulties as her husband Aethelfrid killed her father, took over his kingdom
and drove her brother into exile – and yet she somehow survived, continuing to
have further sons with him. On Aethelfrid’s death his sons fled North West to Dalriada where they were given protection
and educated on Iona . The youngest son, Oswy, was only four at the time and so he cannot have travelled north alone. Was it Acha
who took her sons to safety? Aethelfrid’s closest companions and war-band would
have been expected to have gone down fighting at his side.
BEBBA is usually thought to have been Athelfrid’s queen and
possibly to have been a Pictish Princess. She is mentioned twice by Bede, but
only in the briefest manner as the queen who Bamburgh was named for. When
speaking of Oswald’s relics, he says: ‘They
are preserved as venerated relics in a silver casket at the church of Saint Peter
in the royal city, which is called after a former queen named Bebba.’ This
smallest of references does tell us that Bebba was a woman of power and prominence,
who appeared to be in charge of her own fortress and had it named after her.
We do not know what she did to deserve such an honour, but
this sort of uncertainty provides the perfect space for much imaginative
thinking on the part of a historical novelist. Was Bebba Athelfrid’s first wife
and Acha his second wife? Did Aethefrid have two wives at the same time? As a
pagan this would be quite feasible. Was there enmity between the two women? I
have speculated on the possibilities in THE TRIBUTE BRIDE and was pleased to
see the idea that I went with mentioned as a valid theory by Max Adams in his
book THE KING OF THE NORTH – The Life and Times of Oswald of Northumbria. If readers would like an in-depth, but very accessible study
of these times, I’d recommend Max Adams book to them.
My latest fiction ideas are inspired by exciting recent
archaeological discoveries – e.g. the Staffordshire Hoard and the mysterious
Street House burial close to where I live – as well as a study of the works of
the Venerable Bede, but I struggled to persuade publishers that this period
could be presented to readers in an accessible and exciting manner – ‘such
difficult names’ they said, ‘too complicated a period!’
Despite the lack of enthusiasm for this period, I was unable
to let my ideas go, and so finally, with the support of my agent, Caroline Walsh , I self-published two adult
historical novels using ACORN DIGITAL PRESS in both eBook and paperback form.
However, more recently, with the publication of BETTER THAN
GOLD (Children’s Historical Fiction, due in November 2014 from A&C Black) I
have hopes that traditional publisher’s reluctance towards 7th Century
settings might be shifting a little.
The version of Bede’s Ecclesiastical History of the English
People that I’ve used is published by Penguin Books. Translated by Leo Sherley-Price
revised by R.E.Latham
Fiction with Anglo-Saxon settings
A SWARMING OF BEES by Theresa
Tomlinson – published by Acorn Digital Press Ltd 2012
UK Amazon
US Amazon
UK Amazon
US Amazon
THE TRIBUTE BRIDE by Theresa
Tomlinson – published by Acorn Digital Press Ltd 2014
UK Amazon
US Amazon
UK Amazon
US Amazon
BETTER THAN GOLD by Theresa
Tomlinson – published by A&C Black (Children’s Historical
Fiction) November 2014-07-16
WOLF GIRL by Theresa Tomlinson
– published by Random House Children’s Books (Young Adult Novel) 2011
Theresa's...
What a find! Theresa Tomlinson, I've just added several of your books to my B&N Nook Wish List.
ReplyDeleteI don't know why publishers would shy away from such a mysterious and strange era of English history. Personally, I can't get enough!
Thank you Meredith - I don't understand publishers either!
ReplyDeletePerhaps one of the first historical novels I read was in secondary school and it was the Forest Wife Trilogy. I loved the stories and a new twist on the Robin Hood legend, brilliant writing. I've just bought A Swarming of Bees for my kindle and I can't wait to start reading it. It's a shame that publishers do view the Anglo-Saxon era in that way, they're missing out on some great novels!
ReplyDeleteI think part of the problem with publishers for the Anglo-Sazon era is the difficult names, all those vowels... yet tongue-twister personal names never seem to bother the science fiction or fantasy genre does it?
DeleteMany thanks for such encouraging comments - they help a great deal!
ReplyDeleteTheresa is having problems posting - so on her behalf I am replying:
ReplyDeleteShe says: ‘I think you are right Helen. One publisher said that the names ‘gave him a headache!’
It’s difficult because you do want to use the correct Anglo-Saxon names. If it’s a real historical character, I try to use the simplest form of the name – and if it’s an invented character I try to use something straightforward, or memorable. I very much hope that as more writer choose this period for fictional settings, we’ll all get more used to the names.’
Thanks Theresa.
I had a problem with my Saxon novels in that I had three Ediths In the end I went for Edith, Edyth, and Alditha.