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Tuesday, 7 April 2026

My Coffee Pot Book Tour Guest:The Usurper King & The Accursed King – Henry IV: Audiobooks – by Mercedes Rochel






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About the Book
Book Title: The Usurper King 
Series: The Plantagenet Legacy Book 3 
Author Name: Mercedes Rochelle
Publication Date: April 5, 2021 
Publisher: Sergeant Press
Pages: 303
Genre: Historical Fiction

Book Title: The Accursed King
Series: The Plantagenet Legacy Book 4
Author Name: Mercedes Rochelle
Publication Date: April 18, 2022
Publisher: Sergeant Press
Pages: 299
Genre: Historical Fiction


The Usurper King by Mercedes Rochelle
Narrated by Kevin E. Green

The Accursed King by Mercedes Rochelle
Narrated by Kevin E. Green

The Usurper King:
From Outlaw to Usurper, Henry Bolingbroke fought one rebellion after another.

First, he led his own uprising. Then he captured a forsaken king. Henry had no intention of taking the crown for himself; it was given to him by popular acclaim. Alas, it didn't take long to realize that that having the kingship was much less rewarding than striving for it. Only three months after his coronation, Henry IV had to face a rebellion led by Richard's disgruntled favorites. Repressive measures led to more discontent. His own supporters turned against him, demanding more than he could give. The haughty Percies precipitated the Battle of Shrewsbury which nearly cost him the throne—and his life.

To make matters worse, even after Richard II's funeral, the deposed monarch was rumored to be in Scotland, planning his return. The king just wouldn't stay down and malcontents wanted him back.

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This title is available to read on #KindleUnlimited.

~~~

The Accursed King:

What happens when a king loses his prowess? 

The day Henry IV could finally declare he had vanquished his enemies, he threw it all away with an infamous deed. No English king had executed an archbishop before. And divine judgment was quick to follow. Many thought he was struck with leprosy—God's greatest punishment for sinners. From that point on, Henry's health was cursed and he fought doggedly on as his body continued to betray him—reducing this once great warrior to an invalid. 

Fortunately for England, his heir was ready and eager to take over. But Henry wasn't willing to relinquish what he had worked so hard to preserve. No one was going to take away his royal prerogative—not even Prince Hal. 

But Henry didn't count on Hal's dauntless nature, which threatened to tear the royal family apart.

Buy Link: 

Universal Buy Link:  https://books2read.com/u/m20pRd 

This title is available to read on #KindleUnlimited.


Author Bio:  

Mercedes Rochelle is an ardent lover of medieval history, and has channelled this interest into fiction writing. Her first four books cover eleventh-century Britain and events surrounding the Norman Conquest of England. The next series is called The Plantagenet Legacy about the struggles and abdication of Richard II, leading to the troubled reigns of the Lancastrian Kings. She also writes a blog: HistoricalBritainBlog.com to explore the history behind the story.

Born in St. Louis, MO, she received by BA in Literature at the Univ. of Missouri St.Louis in 1979 then moved to New York in 1982 while in her mid-20s to “see the world”. The search hasn’t ended!

Today she lives in Sergeantsville, NJ with her husband in a log home they had built themselves.


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read an excerpt
EXCERPT FROM THE ACCURSED KING

Accompanying audio clip link: 

https://soundcloud.com/user-678892305/retail-audio-sample

After the Battle of Shrewsbury

The axe fell with a solid thud, cleanly severing the head of Sir Thomas Percy. King Henry IV watched the execution from the castle ramparts with tears in his eyes. It was just two days since the Battle of Shrewsbury where another Percy, the famous Harry Hotspur, went down under a flurry of blades. His naked body was now propped up between two millstones near the city gate—having been unceremoniously torn from his temporary grave to thwart rumours of his survival. Henry had refused to look at him, certain that Harry’s staring eyes would condemn him, even in death. They had been friends once, a circumstance that made this whole situation more tragic than he wanted to admit. And Thomas, whose deportment had been flawless up until a week ago, disturbed him even more. Henry had done his best to save his life, but his closest advisors flew into a fury, calling the man traitor, and worse. The best he could do was commute the execution to mere decapitation rather than the full penalty, hanging, drawing and quartering.

This whole bloody rebellion caught the king totally by surprise and he mourned the loss of his valiant enemies more than they deserved. What had he done to merit their rancour? Surely they had their disagreements, but nothing so venomous as to warrant an attack on his throne.

And what about Hotspur's father, the Earl of Northumberland? If he had been present the outcome of the battle would have been much less certain. It was a terribly close call; only Hotspur's death determined who had won the day. Where was the earl and why hadn't he shown up?

Henry shook his head. He would think about that later; for now, he had more important things to worry about. His son and heir had been struck in the face by an arrow and had continued fighting until the end of the battle. Only then had he collapsed into the arms of his friends. The royal surgeons, confounded by the injury, professed themselves incapable of extracting the arrowhead from the base of Hal's skull, behind his cheek. In desperation, Henry had sent a messenger to London, ordering the famous surgeon and metalworker John Bradmore to be released from prison; the man had been caught counterfeiting, of all things. Then Bradmore would be brought to Kenilworth, where Hal would be waiting for him—if he survived the trip.

Unfortunately, Henry didn't have the leisure to sit by his son's side and wait for him to live or die. With Henry Percy on the loose, the rebellion still had a chance to succeed. He had to deal with the recalcitrant earl without losing another minute. He had already sent a messenger to the Earl of Westmorland, telling him to block Northumberland's progress, wherever he might be. But some tasks required the presence of the king and besides, Percy could be anywhere. Presumably he was coming south from Northumberland, but Henry could leave nothing to chance.

The king was right about one thing: Henry Percy was on his way south, though that wasn't his original plan.

Two months before, he and his son had their eyes on lands given to them by King Henry—Douglas lands, all in Scotland. Both Percys knew the king's offer was a hollow gesture to keep them quiet; they had to conquer the region themselves before they could claim it. It didn't help that they were owed a huge amount of money from their previous two years as wardens. Their resources were not infinite! Repeated requests for payment fell on deaf ears; the exchequer was hampered by the urgency of the Welsh rebellion, they were told. As far as King Henry was concerned, they were on their own; he had even sent a letter telling Percy he wasn't going to come north—he had business in London. That was just fine; as far as Percy was concerned, he needed money, not the king's dubious help. 

Nonetheless, they couldn't resist the opportunity. Hotspur had laid siege to the Tower of Cocklaw in Teviotdale, deep into Douglas territory. Unfortunately, things hadn't gone well and the garrison put up a strong resistance. Frustrated, Hotspur negotiated with the tower's captain and they agreed upon a six-week truce. If Scotland's governor, the Duke of Albany didn't relieve the castle, they would surrender to the English. Meanwhile, Percy's army withdrew to England's side of the border.

It was Hotspur's idea to use the six weeks to organize a rebellion against King Henry. Rebellion! Even now, Percy was mystified about the abrupt change of plans. However, he knew his son still harboured deep resentment about the way the king had treated him the year before—demanding that he turn over Douglas and other hostages taken at Homildon Hill. It wasn’t a pretty scene and Harry had stormed out, threatening to see the king next on the battlefield. Percy hadn’t taken this tantrum seriously when he heard about it later, but perhaps he should have.




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You might also like books written by Helen Hollick 


cosy mysteries : historical fiction
nautical supernatural adventure 
 
1066 : King Arthur
ghosts : non-fiction
 anthologies

2025 annual award winner

THANK YOU!

Monday, 6 April 2026

Doing The Dishes : Writing For Readers by Carolyn Hughes...Authenticity

Our Easter Special - Part 3

“The best time for planning a book is while you're doing the dishes. ”
― Agatha Christie

Exploring the Creation of Fictional Worlds

The problem with historical fiction: Authenticity
by Carolyn Hughes

What “problem” with historical fiction, you might well ask…

Since I’ve been writing historical fiction, I’ve read a few opinions about it that might have made me consider the whole enterprise a complete waste of time! Such as: “historical fiction can never be authentic”, “historical fiction is a lie” and “historical fiction invariably fails to portray the strangeness of the past”.

But, surely, that can’t all be true? Otherwise, no one would want to write it, let alone read it. For those of you who haven’t come across these negative opinions before, let me explain…

The nineteenth-century novelist Henry James famously disparaged historical fiction. It was not the practicalities of the past that James thought difficult to describe, but imagining with any degree of realism, or perhaps “naturalism”, the inner lives of those who lived in earlier times.

Yet imagining the inner lives of characters (historical or fictional) for readers to experience is surely exactly what historical novelists attempt to do.

So how does a writer make the characters of a novel set in the fourteenth century seem mediaeval? I want the readers of my novels to put them down feeling that they have been immersed in the mediaeval world, yet without really noticing its “mediaevalness”, as might happen, for example, if they found themselves wondering if this or that thing or image or phrase or thought was “authentic”. To achieve an appropriate degree of authenticity, artefacts and environments must be, or seem to be, of their time, and noticeable anachronisms of fact or notion must be avoided, to save throwing the reader out of the illusion. Mindsets (the characters’ thought-world) must be convincingly mediaeval, and language, in narrative and dialogue, must reflect that thought-world.

Which all sounds fine in theory but how does it work in practice? James would presumably say it cannot ever work, that historical novelists and readers delude themselves in thinking the novels are in any way authentic. Yet writers do their very best to portray their characters and settings with authenticity. They undertake months or even years of research, in history books, in contemporary writings where they exist, and in art, and they use their intelligence and their imagination to transport, first, themselves, and then their readers into the inner lives of their historical characters.

Occasionally, an error of fact or understanding may slip through but, with the effort authors make, and with the eagerness of so many thousands of historical fiction devotees who happily allow themselves to suspend any disbelief in order to enjoy the story, the enterprise (of writing historical fiction) surely is not doomed, as James implied?

And I think what is true of historical fiction is true of any fiction.

Historical fiction may not be able to fully convey the experiences of the past, but it is difficult for any type of fiction to wholly convey the experience of a character’s life, especially if that character, for example, commits murder, or blasts off into space to save the planet from a rogue asteroid, or perpetrates any number of actions beyond the experience of the average reader (or writer).

Although this is, of course, exactly what all novelists, historical or otherwise, attempt to do.

In 2000, Richard Lee, president of the Historical Novel Society, gave a talk to an audience of writers entitled ‘History is but a fable agreed upon: the problem of truth in history and fiction’.*  The title alluded to a comment attributed to Napoleon, which suggested that history is a form of fiction, for its “truth” depends on who is telling the story: the written history of war differs depending on whether its author comes from the camp of the conqueror or that of the conquered.

But it is also true that the “facts” of history are continually changing, as the latest research inevitably reveals previously unknown information and offers new interpretations of historical truths.

Lee quoted a literary critic who, in a Telegraph book review that year, had said the ‘historical novel has always been a literary form at war with itself. The very term, implying a fiction somehow grounded in fact – a lie with obscure obligations to the truth – is suggestive of the contradictions of the genre.’

Richard Lee considered that the critic, and others, misunderstood the nature of historical fiction, saying that, anyway, surely all fiction is a lie ‘somehow grounded in fact’. No one, he said, thinks that either Trainspotting or Bridget Jones’ Diary is true, but rather that ‘they were in some way drawn from life’. Historical fiction is no more a contradiction than any other form of art, all of which seeks ‘both accuracy and illusion’.

All fiction is an illusion created by the writer’s imagination. Yet historical, no less than contemporary, fiction must be sustained by a foundation of fact, creating a sense of “authenticity”, in order for readers to accept the illusion as temporary reality. Even fantasy fiction, science fiction and some forms of thriller, despite being illusion writ large, must be founded, if not on fact, at least on sufficient rationality or logic to sustain the illusion.

I found myself almost apoplectic with indignation when I heard what that critic had written. He seemed to be implying that historical fiction was somehow “invalid” as a concept. Richard Lee’s comment rings true for me when he suggests that historical fiction, like all art, aims to achieve both accuracy, or perhaps authenticity, and illusion.

Illusion, not a lie.

* For more on Richard’s speech, see ‘History is but a fable agreed upon: the problem of truth in history and fictionhttps://historicalnovelsociety.org/but-a-fable-agreed-upon-speech-by-richard-lee/



CAROLYN HUGHES started working life as a computer programmer, then a very new profession, but it was technical authoring that later proved her vocation, word-smithing for many different clients, including banks, an international hotel group and medical instruments manufacturers.

She’d written creatively for most of her adult life but, when her children flew the nest, writing historical fiction took centre stage. But why historical fiction? Serendipity! Seeking inspiration for her Masters project, she found a decades-old, handwritten draft of a novel, set in fourteenth century rural England… Captivated by the era and setting, she concluded that, by writing a novel set in the period, she could both discover the medieval past and interpret it – surely a thrilling thing to do! The first Meonbridge Chronicle, Fortune’s Wheel, was soon under way…

Eight published books later, Carolyn does now think of herself as an Historical Novelist. And she wouldn’t have it any other way…

Website: https://carolynhughesauthor.com

Twitter/X: x.com/writingcalliope

Facebook: facebook.com/CarolynHughesAuthor

Bluesky: carolynhughes.bsky.social



Fortune’s Wheel, the First Meonbridge Chronicle

How do you recover from the havoc wrought by history's cruellest plague

BUY LINKS

Meonbridge Chronicles series: https://mybook.to/MhkUql

Fortune’s Wheel: https://mybook.to/8mQjNs

A Woman’s Lot: https://mybook.to/lKzvzR

De Bohun’s Destiny; https://mybook.to/G4j4aTG

Children’s Fate: https://mybook.to/F7c6

Squire’s Hazard: https://mybook.to/DeQRQ

Sister Rosa’s Rebellion: https://mybook.to/e4at4a

The Merchant’s Dilemma: https://mybook.to/qUvuAI

Meonbridge Maidens: https://mybook.to/fJY8




You might also like books written by Helen Hollick 


cosy mysteries : historical fiction
nautical supernatural adventure 
1066 : King Arthur
ghosts : non-fiction
 anthologies 

2025 annual award winner

THANK YOU!