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Tuesday, 10 March 2026

Yarde Reviews and Book Promotions: Ian Hunter Quetzalcoatl: Time Stones Book II



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About the Book

Quetzalcoatl: Time Stones Book II 
By Ian Hunter

Publication Date: 22nd April 2021
Publisher: MVB Marketing- und Verlagsservice des Buchhandels GmbH
Print Length: 277 Pages
Genre: Historical Fantasy

Jessie Mason lives with her nose in the pages of history. But she is discovering that the past is a dangerous place where she doesn't belong, and knowledge alone is not going to save her.

Jessie’s life has become a series of terrible challenges. Now she must lead her friends in the hopeless task Grandfather set them: hunt down and destroy the Time Stones. But her leadership has already failed. Tip has left them and Abe has simply disappeared, while she and Kes are trapped in the heart of an ancient empire in turmoil.

Thrust into a fractured, threatened Mexica nobility, Jessie is immersed in a way of life, fascinating and disturbing in equal measure, yet powerless before the approaching Conquistadors and the impending clash of cultures.

Even as the fabulous city of Tenochtitlan descends into savage violence, Jessie’s determination to succeed is undiminished. But with world history taking a new, bloody direction before her, she is finally forced to decide which is more important: continuing the task or simply surviving.

Praise:
“Quetzalcoatl (Time Stones Book II) by Ian Hunter is a tautly gripping novel that is written with a sensitivity to the era it depicts, but it is also a story packed with adventure and magic. Hunter’s vivacious storytelling made this novel impossible to put down. It is a story that has been penned with an impressive sweep and brilliance.” The Coffee Pot Book Club

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This book is available on #Kindle and Paperback
Read with #KindleUnlimited


Author Bio:

Books have been an important part of my life as long as I can remember, and at 54 years old, that’s a lot of books. My earliest memories of reading are CS Lewis’, “The Horse and His Boy” – by far the best of the Narnia books, the Adventures series by Willard Price, and “Goalkeepers are Different” by sports journalist Brian Glanville. An eclectic mix. My first English teacher was surprised to hear that I was reading, Le Carré, Ken Follett, Nevil Shute and “All the Presidents’ Men” by Woodward and Bernstein at the age of 12. I was simply picking up the books my father had finished.

School syllabus threw up the usual suspects – Shakespeare, Chaucer, Dickens, Hardy, “To Kill a Mockingbird” – which I have reread often, and others I don’t immediately recall. By “A” level study, my then English teachers were pulling their hair out at my “perverse waste of talent” – I still have the report card! But I did manage a pass.

During a 35 year career, briefly in Banking and then in IT, I managed to find time, with unfailing family support, to study another lifelong passion, graduating with an Open University Bachelors’ degree in History in 2002. This fascination with all things historical inspired me to begin the Time Stones series. There is so much to our human past, and so many differing views on what is the greatest, and often the saddest, most tragic story. I decided I wanted to write about it; to shine a small light on those, sometimes pivotal stories, which are less frequently mentioned.

In 1995, my wife, Michelle, and I moved from England to southern Germany, where we still live, with our two children, one cat, and, when she pays us a visit, one chocolate labrador. I have been fortunate that I could satisfy another wish, to travel as widely as possible and see as much of our world as I can. Destinations usually include places of historic and archaeological interest, mixed with a large helping of sun, sea and sand for my wife’s peace of mind.

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read an excerpt

Advancing slowly along the avenue was a procession of splendour and colour. Barefooted, in a bright red cloak and tunic, a man walked at its head, holding a golden staff in his outstretched arm. Following him were a dozen drab road sweepers. Jessie chuckled quietly. It didn’t seem to register that the dust and dirt they were sweeping, ended up in the faces of the kneeling crowd, who evidently weren’t allowed to move or protest. The street sweepers moved along, but Jessie’s attention had already been grabbed by what followed. She stared, enthralled, at the starburst headdresses of gold, flamboyant cloaks and tunics with dazzling feather work and animal furs. There was more gold: the greaves on their shins, armlets and bracelets, labrets in their lips, nose and ear rings. The lords, the princes, the kings of the empire, blinked yellow gold and they walked barefoot, in two silent, dignified columns, with their emperor Moctezuma between them. He sat upon a litter of silver and gold, studded with precious stones, and decorated with flowers. Four bearers, one on each corner, great nobles in their finest clothes and jewels, bore the emperor and his throne upon their shoulders. But all Jessie could see of the great man were his golden sandals and bare shins. A shimmering canopy of feathers shielded him from the sun, like one huge wing of the most fabulous bird. The litter swayed gently in time to the steps of the bearers, and the feathers gleamed green, gold and blue, outshining the manufactured decoration of the nobles.

The procession passed, the onlookers got to their feet and whispering voices steadily grew in volume.

“Look,” Jessie pointed to the lake, where an armada of canoes jostled for space along the causeway.

The leading conquistadors, four armoured horsemen, with banners on their lances, were almost at the end of the causeway. The two groups closed on each other until stately Mexica royalty and hardened Spanish adventurers finally came face to face on the edge of the island. It was still too far and too crowded to see anything of the meeting from the rooftop. Jessie drummed her fingers on the wall impatiently. She guessed there were words of welcome, perhaps gifts to be exchanged. Eventually, after what felt like an interminable time for pleasantries, the emperor’s litter rose again, turned, and with the two columns of nobles reformed, began its return journey. The crowd knelt once again. But Moctezuma’s passing wasn’t greeted by the silence it had commanded earlier. A low whisper continued and bowed heads turned to view the strange sights which followed.

Large, powerful dogs led the Spanish into Tenochtitlan. They crossed and re-crossed the street, investigating the unfamiliar scents. One barked, another growled, and the startled spectators edged back as far as the surrounding throng allowed.

Horseshoes rang sharp and loud, on the flagstones.

“What are they?” Tonauac whispered fearfully at her shoulder, hands over his ears.

The armour-clad horses were nervous with the tightly packed crowds on both sides. Their flanks were flecked with sweat and more than one snapped and snorted at the alarmed Mexicans.

“Those are horses,” Jessie replied.

The conquistadors had to fight to control their mounts, which they did with calm, confident authority. Jessie remembered Tip describing her first experience of horses. She appreciated how terrifying they must seem, and how astonished they would be to see the horses controlled so skilfully. Perhaps, she thought, command over these fearsome beasts was precisely the impression the Spanish wished to convey.

A single standard bearer followed. He swung the standard to the left and right, so the large white cloth snapped loudly open, before he launched it high and caught it cleanly when it fell back. He tossed it from left hand to right hand, and back again, and each time, the banner unfurled to display the large red cross of St James above an appreciative audience.

In steel helmets, shining breast plates, and drawn swords, a company of foot soldiers followed the banner. They marched eight abreast, crowding the avenue from one side to the other. Jessie saw scrapes and dents in their cuirass chest armour, repaired clothing still stained with the blood of battle, and bandages covering healing wounds. Unkempt hair and scruffy beards couldn’t hide their gaunt faces. But their eyes were clear, fixed and determined. They were rough, experienced fighters, and the silence which descended as they passed suggested the crowded spectators recognized the nature of these unwelcome visitors.

“What is this they wear?” Tonauac whispered. “It shines like silver.”

“Steel,” Jessie answered. “Much harder and sharper than silver.”

Another squadron of horses clattered past with jingling harness. The riders had steel helmets but dressed in simple shirts and jerkins of padded cotton. Each carried a long, steel tipped lance. Then came the last of the infantry, with crossbows, swords and muskets. Jessie noticed the conquistadors ignored the crowd who had come out to see them. She’d not seen any wave, not one gesture of greeting. Their attention was instead fixed on the buildings, the side streets and the canals: wary and on their guard.

A final group of horsemen brought up the rear. Alone, at the head, was a rider Jessie knew, beyond doubt, was Malinche: Hernan Cortés. It wasn’t the gold chain and medal which hung round his neck, or the gold tracing which decorated his armour, or that his horse’s steel skirts were more brightly polished. He was unremarkable in appearance, medium brown hair, minimal red-tinged beard and average height. It was the smile he wore, a smile of satisfaction, of success, which he bestowed upon the crowd with friendly confidence. Cortés engaged with the crowds as none of the others had. He was a leader, and he had accomplished his goal.



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You might also like books written by Helen Hollick 


cosy mysteries : historical fiction
nautical supernatural adventure 
1066 : King Arthur
ghosts : non-fiction
 anthologies 

2025 annual award winner

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Saturday, 7 March 2026

Doing The Dishes : Writing For Readers - Full Immersion by Melissa Addey

“The best time for planning a book is while you're doing the dishes. ”
― Agatha Christie

Exploring the Creation of Fictional Worlds


Full Immersion

Using Sensory Research to Bring History Vividly to Life

by Melissa Addey

After more than fifteen years of writing historical fiction, from Ancient Rome to eleventh-century Morocco, from the court of eighteenth-century China to the ballrooms of Regency England, I’ve learned this: books alone will never give you the full story. If you want readers to feel as though they have stepped through the page into another time, then you must go beyond facts and dates. You must live the era. I call it full immersion: research done not only with the mind, but with the senses.

Why Sensory Research Matters

While many writers focus on accuracy of events or costumes, readers often fall in love with the sensory details: the tang of woodsmoke, the clatter of hooves on cobblestone, the soft scratch of a quill on rag paper. Different readers respond strongly to different senses. Some connect through sound; others through visual details, scent, taste, or touch. By weaving in as many sensory details as possible, grounded in real experience, you widen your ability to engage the reader.

Sensory research also happens to be perfect for marketing. Readers adore behind-the-scenes glimpses. A simple video of you trying on a Regency gown, riding a camel, visiting medieval tanneries, or making 18th-century white soup can become one of your most liked posts.

The Power of Being There: Research Trips

I’ve visited Rome, Morocco, China, Bath, and many re-enactment events. When you stand in a place alone, you begin to notice things your characters would know instinctively: the echo of footsteps in a marble hall, the call to prayer, the endless locked doors of the Forbidden City.

Here’s a tip: visit sites in the “wrong” order. Enter the back gate of a palace. Wander through the servants’ quarters first. Get a little lost. I practically ran across the Forbidden City to get to the private palaces at the back before all the other tourists descended, so I could be alone in the space that housed the emperor’s many concubines.

Family can be both a nuisance and a blessing on research trips. Yes, the kids feel like a distraction, but after scolding my small son for teetering on the edge of a lake in China, trying to catch frogs, I realised that the child prince in my novel would have done just the same. When my daughter needed the toilet at the Colosseum, we had to run round it to catch up with our tour guide. I developed a whole character just off the need to have a boy who could scamper about the vast building with messages.

Living the Era: Clothing, Tools, and Daily Routines

As a writer, I often start with writing tools from an era: a replica wax tablet for a Roman scribe (did you know they had shorthand?) and a quill pen (so scratchy!) for a Regency woman’s love letter. Then I move on. Forget weighted vests at the gym, armour is really heavy! I visit haberdasheries to touch fabrics, try to sleep in a hammock, interact with farm animals. We would all have been familiar with horses (or camels depending on your location!).

Seasonal Living: The Forgotten Rhythm

Historically everything was shaped by the seasons: light, food, clothing, festivals, daily work, sleep patterns. What food was available in each month? What animals were active? What herbs were picked? What did dawn look like at that latitude? Try tracking the months of your chapters, too. When your character is making soup in February, what ingredients would they realistically have? For my book The Garden of Perfect Brightness, set largely on the imperial summer estate on the outskirts of Beijing, I created a whole scrapbook with the seasons and animals, flowers, plants and temperatures.

Soundscapes of the Past

Writers often forget that the past sounded different. Try shutting your eyes on research trips. Listen for market vendors calling their wares or desert sand swishing across dunes. The buzz of summer cicadas, church bells, calls to prayer, factory sirens. Just as I know an electric car, a bicycle and a car do not sound like the garbage truck, so someone two hundred years ago would have recognised the different sounds of a single rider, a cart, a fancy carriage or the circus coming to town.

Taste, Smell, and the Wild World of Historical Food

Food is one of the fastest ways to time-travel and one of my favourite elements to include when I world build. Make or seek out dishes from your era: the ‘white soup’ served in Pride and Prejudice (hat tip to the amazing Regency Cook Paul Couchman, who runs great online courses), Roman honey cakes, roast lamb over hot coals in Morocco, hand-pulled noodles.

Smell is equally important. Historical worlds were “fragrant” in ways we often forget:

  • horse dung and coal smoke in cities
  • tanneries and dye vats so pungent you are given a bunch of mint to hold against your nose when you visit them in Fes, Morocco
  • oil lamps and candlewax: have a whole dinner by oil lamps and find out just how much black gunk is in your nose the next morning!
  • fresh bread on baking day

Events, Activities, and Embodied Learning

Re-enactment societies are treasure troves. One of my best historical consultants was Steven Cockings, who travels the world for Roman reenactments: he invited me to his home for a Saturnalia feast – an unforgettable occasion where he gave me a 1st century necklace to wear for the night and I ate from a spoon that had once been in Roman’s mouth.

Take dance lessons from the era you write in, try archery, falconry, fencing, or attend jousting demonstrations (there’s just something about a knight in shining armour…). Attend religious services your characters would know and learn their everyday crafts, such as spinning, weaving, glassblowing or basket-making.

Emotional Immersion: Experiencing the Intensity

History is full of dramatic moments: earthquakes, battles, storms, sieges. Even small immersive experiences can help you write intensity more authentically. There’s an earthquake simulator at the Natural History Museum in London (having been in a real quake, I can vouch for its authenticity), and when I had to write about Pompeii’s destruction, I sat with photos of Hiroshima to really feel the devastation before I wrote.

Sensory immersion is joyful. It’s messy and unpredictable and occasionally uncomfortable, but it deepens your writing in extraordinary ways. It also strengthens your bond with your audience, who get to follow along as you step into the past

As a writer, ask yourself: what could you touch, smell, taste, hear, or experience this month that would bring your fictional world to life? Then go try it. Your creativity will blossom. As a reader: what sensory writing made a story come alive for you?

 

BIO

Melissa Addey writes richly researched historical fiction inspired by what she calls “the footnotes of history” – forgotten stories and intriguing lives from the past. Her novels span Ancient Rome, medieval Morocco, 18th-century China, and Regency England. She has a PhD in Creative Writing, was Writer in Residence at the British Library, and lives in London with her family. 

Browse her books (and get a free novella) at 

www.melissaaddey.com/books  

Visit Melissa on TikTok: 

https://www.tiktok.com/@melissaaddeyauthor  

In the shadows of Rome’s greatest spectacle, a young woman discovers friendship, belonging, and the fragile beginnings of love.

Rome, 80 AD. Althea has always lived unseen. A slave scribe, she records the words of powerful men while silencing her own.

But when she is sent to serve Marcus, the man charged with creating the Colosseum’s inaugural Games, her life begins to change. Haunted by the loss of his family in Pompeii, Marcus teeters on the edge of despair. To save him, Althea must step beyond obedience and into courage.

Amid the roar of the arena and the demands of an Emperor, Althea forms unexpected bonds: a sharp-tongued prostitute, a fallen Vestal Virgin, a runaway boy, and others cast aside by Rome. Together, they become more than survivors. They become family. And in Marcus’ sadness, Althea begins to glimpse the tender possibility of love.

From the Ashes is a sweeping story of resilience, found family, and one woman’s journey to claim her freedom in a world built on power. Both action-packed and heart-stirring, it brings to life the people behind the Colosseum and the quiet strength that can rise from ruins.



scroll down to leave a comment...

You might also like books written by Helen Hollick 


cosy mysteries : historical fiction
nautical supernatural adventure 
1066 : King Arthur
ghosts : non-fiction
 anthologies 

2025 annual award winner

THANK YOU!