Saturday, 31 October 2026

A Ghost Story for Hallowe'en


Circles 

by Nicky Galliers

© https://pixabay.com/users/theotherkev-9436196/

I saw him three times before I decided to talk to him.

I got on the train at Tower Hill, my habitual stop, that first Tuesday in early autumn and he was in the same carriage on the yellow line. It was busy, but it could have been busier, and I saw him standing, holding on to a pole as the train jogged along the tunnel. 

Nut brown hair curled around his nape. The eyes that were so heavily fringed with darker lashes were green, whether naturally or reflected in the wool of his sweater, I would find out, I swore. His skin was perfect and unblemished, and he wore a little beard and moustache. I could understand why; without it, he would have been too pretty. As it was, he was definitely young and beautiful, just how I liked my men.

And he was a man. His sleeves were pushed up to his elbows revealing softly tanned skin covered in downy fair hair, and the hands that gripped the pole were strong and sinewy.

It was so long since I had seen a man to make me shimmer, but I was too shy to approach and satisfied myself with watching him. Two stops further on, at Cannon Street, he alighted, stepping onto the platform without looking back.

He didn’t see me, but I thought of him long after he was out of my sight, and I was returning to Tower Hill.

That was the first time. The second was a few days later and, similarly, I stayed hidden, watched him from further up the carriage, shifting the angle of my head so I could still see him as the other passengers wove between us.

And this third time. He wore brown today, a leather jacket affair, deep and rich, over neat dark woollen formal trousers. His curls bounced as he moved to the rhythm of the train. But it was busy, and I was separated from him by so many people. Get closer. I had to get closer, and I twisted my head awkwardly as I moved through the crowd between us, always to keep him in sight. 

The train slowed and we approached Cannon Street again and I prayed to God he would not get off. Please, don’t get off!

The train stopped; the doors opened, but he didn’t move towards them. His grip on the pole loosened, and he stretched his hand. Then, joy of joys, he wrapped his fingers around the metal once more and held on. 

Other passengers got off; the carriage cleared and he was there, in front of me, as beautiful as I had hoped. I moved closer, willing him to see me. Just five steps, no more, and I made sure he saw me this time. 

He turned, and I smiled up at him. Were my eyes not lovely, and had my face not enraptured a king?

The boy pointed, his mouth open, his eyes so wide they near popped. The scream was loud and visceral, from the heart, from the depths of his soul. 

The other passengers whipped their heads around and stared, shocked and gasping, not understanding. They couldn’t see me, couldn’t see my tears, the tears that had made me a queen and, aye, were there when I was unmade. 

They always screamed now. All those lovely boys, their soft skin and their dreamy eyes, and their piercing shouts and white hot terror. 

I had tried to balance my head back on my shoulders, but it fell off and I decided it was probably better to be honest and merely hold it. The result was rarely any better.

While he sat on the floor of the train, I slid back through the pressing crowd and out of the train, into the tunnels near Mansion House and made my way back to Tower Hill, alone.

©  Nicky Galliers

© https://pixabay.com/users/theotherkev-9436196/


For more Hallowe'en reads....

There is more to a book than a cover, 
pages and words.
They are portals to different worlds
and exciting adventures.

sometimes the unexplainable just can't be explained...
but they make fine stories!

go to our #VIPReader suggestions

OR 

meet some REAL ghosts!

THE COFFEE POT BOOK CLUB GOLD AWARD
 for NON-FICTION 2025

"What distinguishes this collection is its tone. There is no urgency to convince, no reliance on spectacle. Instead, [the authors] approach each presence with measured curiosity... these are not apparitions to be feared, but lives interrupted, emotions unfinished. Even the more unsettling encounters are shaped by empathy rather than alarm. And history is never absent. Each account is gently contextualised, drawing the reader into the rhythms of rural life, the echoes of national upheaval, the quiet tragedies that ripple outward through time. The result is a narrative that feels intimate, where the boundary between past and present is not forcefully broken but naturally thinned." author Patricia Furstenberg

Everyone assumes that ghosts are hostile. Actually, most of them are not.

You either believe in ghosts or you don’t. It depends on whether you’ve encountered something supernatural or not. But when you share a home with several companionable spirits, or discover benign ghosts in public places who appear as real as any living person, scepticism is abandoned and the myth that all ghosts are to be feared is realised as nonsense.

In GHOST ENCOUNTERS: The Lingering Spirits Of North Devon, mother and daughter share their personal experiences, dispelling the belief that spirits are to be feared, while including snippets of interesting history about North Devon and some of the people of the past...

(Includes a bonus of two short stories and photographs connected to North Devon)

"...an utterly captivating blend of travel guide & personal memoir not just for those intrigued by the paranormal - also a beautifully written tribute to the magic of North Devon, its past, and its present. Whether planning a visit or simply looking for a delightfully eerie escape, Ghost Encounters is an absolute must-read. Hollick has crafted a truly special book—one that lingers in the mind like the very spirits she so wonderfully brings to life." Amazon reader

"If you enjoy your history, then you will love this book. I have a long held interest in both History and the Paranormal. The history in this book is very well researched and the descriptions of the paranormal engaging. Kathy Hollick's accounts of the spirits she encounters were fascinating, believable and struck a chord with me. I have a long association with Mediums, most parlour tricksters, one outright fraud and a few where the jury is out. One lady, however, was genuine and Ms Hollick's accounts and experiences sound very similar. I have no hesitation in recommending this book to those who enjoy history and/or the paranormal." Kevin R Agg Founder and former Secretary Supernatural Research Special Interest Group, former investigator Society for Psychical Research

Amazon Buy link: https://mybook.to/GhostEncounters


BiancaVanDijk!


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Friday, 30 October 2026

The Coffee Pot Book Club & Yarde Book Promotions: Elizabeth St.John - The Queen’s Tears






Welcome to my Blog!
Wander through worlds real and fictional,
meet interesting people, visit exciting places
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About the Book
Book Title: The Queen’s Tears
Series: A Julia Darke Novel
Author Name: Elizabeth St.John
Publication Date: October 15, 2026
Publisher: Falcon Historical Press
Pages: 400
Genre: Dual-Timeline Historical Fiction

A stolen crown jewel and an enigmatic portrait force two women to confront the devastating choices they made for love—and summon the courage to live with the truth.

1619: Barbara, Lady Villiers, at the bidding of her brother-in-law, the Duke of Buckingham, has stolen the dying Queen Anna’s jewels—and kept the greatest prize for herself. The Queen’s Tears, a brooch of extraordinary value, torments her: too dangerous to sell, too priceless to discard, and possibly her only means of securing her children’s future. When the family fortunes are shattered, Barbara faces an impossible choice: remain loyal to Buckingham—or betray him by confessing the theft to King Charles.

Present Day: Julia Darke opens her Cotswolds bookshop to start life over peacefully. Instead, a Van Dyck portrait of Barbara’s daughter, with tantalising signs of the missing Queen’s Tears hidden in plain sight, brings her face-to-face with Oliver Villiers, the Oxford art conservator she once loved and walked away from.

Reluctantly drawn together to uncover Barbara’s secret, Julia and Oliver follow the trail of the Queen’s Tears—and the closer Julia comes to Barbara’s truth, the harder it becomes to hide from her own.

Inspired by the true stories of Queen Anna of Denmark’s stolen jewels and a missing Van Dyck painting, The Queen’s Tears weaves history, fiction, and family research across the centuries. Readers of The Lydiard Chronicles will find old favourites—and a new heroine following in their footsteps.

Buy Link: 

Universal Buy Link: https://geni.us/TheQueensTears 

This title is available to read on #KindleUnlimited.



Author Bio:
Elizabeth St.John's acclaimed historical fiction brings to life her ancestors—remarkable women linked to England's royalty—offering unique insights into Medieval, Tudor, and Stuart times. Her novels unfold not just as traditional series, but as an interlocking web of lives: The Lydiard Chronicles—including the celebrated The Lady of the Tower—The Godmother's Secret, and The King's Intelligencer explore everything from the English Civil War to the mystery of the Princes in the Tower. Her newest novel, The Queen’s Tears, a dual timeline pursuing a stolen crown jewel, reunites favourite characters from the seventeenth-century with a present-day bookstore owner heroine.
At the heart of her writing is the transformation of real ancestral histories into narratives of historical continuity. She follows threads of legacy through generations, guided as much by wills, letters, portraits, country churches, ruined castles, manor houses, and lost gardens as by imagination. Locations become constant companions through time, while characters whisper across centuries—their decisions resonating in the lives of their descendants to reveal how choices shape legacies. Grounded in historic sites like Lydiard Park and the Tower of London, her work creates a living archival flow that continues to flourish as the past yields its secrets.
Elizabeth divides her time between California, England, and the past, surrounded by books, gardens, and animals, with a slightly bewildered, ever-supportive husband beside her.

Author Links:

Website: 
Twitter / X: 
Facebook: 
Instagram: https://www.instagram.com/elizabethjstjohn/ 
Bluesky: 
Book Bub: 
Threads: 
Amazon Author Page: 
Goodreads: 
Linked In: 




read an excerpt

JULIA London

Oliver Villiers Fine Arts was, of course, in Belgravia. Julia strode along Ebury Street, humming, as she did when slightly anxious, after dropping her roller bag at the Bay Tree, a Georgian-fronted boutique hotel. Too quickly, she arrived at the gallery and, instead of pausing, marched straight in, following the receptionist’s directions. The preview room was expensively minimalist, with polished blond oak floors and art lighting designed to enhance the treasures on display.

Oliver stood under a low-voltage spot, the beam picking out the silver in his casually tousled hair, muted across the broad shoulders of his dark brown corduroy jacket. A soft white cotton shirt, blue jeans, and a simple fawn-coloured cashmere scarf completed the picture of a successful, sophisticated, and boyishly charming international art dealer.

 Intentional. And memorable. He always was one for setting a scene.

“Julia.” He leaned slightly forward as if to kiss her cheek.

She inched back. “Oliver.”

“You haven’t changed a bit. You look wonderful.”

“Flattery, Oliver? We both know that doesn’t work on me.”

He grinned unabashedly. For a moment, the past hung between them, their history palpable. Julia tucked her hair behind her ear and looked at him squarely, keeping one hand in her jacket pocket to stop herself from fidgeting. He hadn’t changed a bit either, and she’d totally underestimated the gut punch from being in the same room as him.

Step up to it, girl. You’ve pulverised boardrooms and glass ceilings in your time. A long-lost love won’t crush you. Even if he broke your heart.

She finally smiled back. It had, after all, been thirty years. “Barbara?”

“Ah. Yes. Why you’re here.” He gestured to the easel behind him. “She’s just been brought out of storage.”

The portrait of Barbara St.John Villiers was three-quarter length, its colours muted and details more concealed than Julia had anticipated.

“Oh, she’s lovely.” Although the portrait desperately needed cleaning, the sitter’s elegance was unmistakable.

Oliver tipped his head at the portrait. “She is rather. She’ll be even better when she’s freshened up. It was a quick decision by the owner, so no time to do anything before she goes under the hammer.” He cleared his throat. “Oh well, I’ll leave you to it.”

Julia kept her eyes on Barbara as he walked to the back of the gallery and then stole a glimpse as he disappeared behind a lushly carved Carolinian screen with hints of Grinling Gibbons. She let out a breath she didn’t know she was holding. Round one accomplished.

“Hello Barbara,” she whispered. “I’ve come to take you home.”

The woman stared out from the canvas with composed intelligence, her mouth neither smiling nor severe. Courtly. Elegant. A woman painted at the height of her value. Julia had researched a hundred like her over the years.

And yet this one was different. Barbara called to her—

“This is ridiculous,” Julia muttered, stepping closer. If switching from publishing to writing meant portraits were going to start talking to her, she was in for major sensory overload.

The label read:

After Van Dyck, c.1639
Portrait of a Woman

(traditionally identified as Barbara St.John Villiers)
Oil on canvas

Traditionally identified was academic shorthand for we don’t actually know who it is.

 


My Thoughts

I would dearly love to know how Ms St.John consistently manages to ensure that each new release of hers turns out to be her best yet - even better than the last one! If there is a secret magic potion I wish she'd share it!

The Queen's Tears was not only a brilliant, totally absorbing read -- with a   a mystery to solve alongside the three main characters, Julia, Oliver and Barbara - but was also superbly researched historical fiction, interesting art restoration detail and well, a fantastic story! I found myself nipping across to Wikipedia every so often to discover more historical fact - no spoilers -  did Anne really xxx? Was Buckingham xxx? Was Barbara xxx? What happened to xxx?

And as an extra, wonderful bonus, we get to meet some familiar characters from Ms St.John's Lydiard series again ... Luce, Nan, Ned...

The duel timeline worked especially well, with seamless joins between present day and the 1600s that did not jolt this reader out of the story or create any confusion: the facts and the fiction blended together superbly, just as skillfully as an artist adds a secret clue into a painting perhaps? 

This new venture with Julia Darke and Oliver Villiers is a definite  winner and I'm delighted to hear that there will be more.

5 ***** stars





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Twitter / X Handles: @ElizStJohn @cathiedunn @maryanneyarde
Instagram Handles: @elizabethjstjohn @thecoffeepotbookclub @yardereviews 

Hashtags: #TheQueensTears #HistoricalFiction #DualTimeline #Stuarts #Mystery #BlogTour #TheCoffeePotBookClub #YardeBookReviews

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