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Tuesday, 23 June 2026

Out Now! Elizabeth St.John - COURAGE: Tales of History, Mystery and Hope

 e-book & paperback from Amazon

or order from any good bookstore

Today we feature 
ELIZABETH ST.JOHN


The Gate by Elizabeth St.John

London, 1900

When desperation is the only option and courage costs everything...


trailer/animation by Jean Gill (A.I. generated)
cover graphics by  www.avalongraphics.org

(some stories have an adult content others a 'you will need tissues' warning) 

Fifteen short stories about Courage
featuring authors:

The Sentry - Noricum AD 395
The Saxon - Southern Britain AD 471
The Phoenix - a fictional country circa AD 900
Siflede - London 1066
Daisy Chain - England 1141
Stepping Between - England 1308
Confronting Plague - England 1361
Kate’s Letter - Transylvania 1478
The Portrait’s Secret - Paris 1536
Legacy - England 1558
Darkness Rising - Venezia 1923
A Taleteller’s Tale - The Caribbean 1709
The Gate - London 1900
Antoine Vanner 
A Sack of Potatoes - The Netherlands 1954
Kathy Hollick-Bater 
Grumpy Old Grandfather – Anywhere, Present-day

with an introduction by

About Elizabeth's story
The Gate

Pitman Street

In the winter of 1900, a woman stands at the gates of Lambeth Road Workhouse with her two children and makes the hardest decision of her life.

The Victorian workhouse is designed to be a last resort: deliberately harsh, intentionally humiliating, a place so bleak that only the truly desperate would choose this refuge over the streets. For a widowed mother with no wages, no family, and no options, it is the only thing left between her children and starvation.

Margaret Anderson knows the cost. She knows they will be separated, children from mother, brother from sister, and housed in wards governed by bells and silence and the systematic erasure of everything personal. Worse, she has no way of knowing if or when they will come out, or whether the children she retrieves will be recognisable as the children she had committed.

The Gate is fiction rooted in documented truth, inspired by real lives and extant records that still survive in the London archives. It asks a question that no document can answer: what does it feel like when the only path forward is one that terrifies you? When you cannot know if you are saving your children or simply losing them more slowly?

Fear is the gate. Courage is to step across the threshold.

Why I wrote The Gate

Some stories find you. This one ambushed me.

I have spent my writing life with strong women, about ancestors who lived centuries ago, whose courage I admired from a safe historical distance. Women whose lives I could research, fictionalise, and honour without it touching the bone. This story is different. The Gate is two generations away. My grandmother is the one who walked through it.

When I discovered that Harriet had spent her childhood in the London workhouse system, I sat with the documents for several months before I could write a word. The admission papers. The transfer order moving two small children between institutions like items in a ledger. The silence that followed, the years of archive gaps where a family should have been. And underneath all of it, Harriet’s mother Margaret, a woman who had lost everything and still found the courage to do the one act left to do.

What stopped me wasn't the history. It was the proximity. Harriet was my grandmother. Her silence about those years, which she carried to her grave, folded into the family like something shameful rather than something extraordinary, is itself a testament. It tells you everything about what survival cost, and what it required you to leave behind.

Researching this story, I travelled to a workhouse with my daughter. We walked those halls together: the stone corridors, the high cold windows, the bleak yards where children exercised, and I tried to place my grandmother there. A girl of ten. Alone. Without her mother. She would not leave me, and I could not leave her.

Standing in that yard, my daughter turned to me and said I was the most resilient person she had ever known. I looked at her and replied: you are. I understood in that moment that we are both simply doing what Margaret did, and what Harriet did after her, carrying forward what was passed to us, without always knowing it was being passed.

Margaret's courage was not spoken of. It was simply lived, and handed on, silently, to every woman who came after her. To write this story is to finally say out loud what the family never could.

She was extraordinary. And she deserves to be known.

read a snippet from

The Gate by Elizabeth St.John

London, 1900

When desperation is the only option and courage costs everything

The pot had nothing left to give. Margaret scraped the last of the congealed oats anyway, the spoon going round and round the cold iron. The fire had been dead since Tuesday. She stopped looking at the hearth two days since, the ash piled grey and spent like old rags.

“Mum, you’re up early.” Harriet woke first, as Harriet always did. She opened her eyes with that look she had, like she’d been awake already, waiting in the dark. There were times Margaret watched that little face and felt observed by someone much older than ten, someone who understood the shape of things and did not question.

“That I am,” Margaret said. “Wake your brother.

About Elizabeth:

Elizabeth St.John’s critically acclaimed historical fiction brings to life the stories of her ancestors—extraordinary women whose close connections to England’s kings and queens offer an intimate perspective on Medieval, Tudor, and Stuart times.

Inspired by family archives and historic residences from Lydiard Park to the Tower of London, she explores ancestral portraits, diaries, and lost gardens—and occasionally encounters a ghost. Exploring a whole different family history in The Gate, Elizabeth expands her storytelling into the early 20th century, adding a new era to her repertoire.

Living between California, England, and the past, Elizabeth is International Ambassador for The Friends of Lydiard Park and curator of The Lydiard Archives, where she is always searching for inspiration for her next novel. Her works include The Lydiard Chronicles, set during the English Civil War, and The Godmother’s Secret, exploring the mystery of the princes in the Tower. In The King’s Intelligencer, set in the court of Charles II, a young woman must decide what she is willing to risk to reveal the whereabouts of the missing princes.

Website: www.elizabethjstjohn.com

Amazon Author Page: 

https://geni.us/AmazonElizabethStJohn

Lucy St.John, a highborn orphan at King James’s glittering court, is drawn into a dangerous affair with the Earl of Suffolk—a choice that earns powerful enemies.

https://geni.us/MyBookLOTT

e-book & paperback from Amazon
or order from any good bookstore


more great anthologies
featuring various authors


> Next spotlight tomorrow: Antoine Vanner

You might also like books written by 
Helen Hollick 

cosy mystery series
nautical supernatural adventure 
historical fiction:
King Arthur / 1066 era
non-fiction:
Ghost Encounters
Pirates /smugglers



Say thank you...
leave a comment on Amazon or Goodreads etc



Monday, 22 June 2026

Out Now! Helen Hollick - COURAGE: Tales of History, Mystery and Hope

 e-book & paperback from Amazon

or order from any good bookstore

Today we feature 
HELEN HOLLICKt
(the demented scribbler who suggested putting this anthology together)


A TALETELLER’S TALE by Helen Hollick
Somewhere in the Caribbean, 1709

When the only sound is the song of the sea, do you listen?
Or do you drown in the embrace of a mermaid?...


trailer/animation by Jean Gill (A.I. generated)
cover graphics by  www.avalongraphics.org

(some stories have an adult content others a 'you will need tissues' warning) 

Fifteen short stories about Courage
featuring authors:

The Sentry - Noricum AD 395
The Saxon - Southern Britain AD 471
The Phoenix - a fictional country circa AD 900
Siflede - London 1066
Daisy Chain - England 1141
Stepping Between - England 1308
Confronting Plague - England 1361
Kate’s Letter - Transylvania 1478
The Portrait’s Secret - Paris 1536
Legacy - England 1558
Darkness Rising - Venezia 1923
A Taleteller’s Tale - The Caribbean 1709
The Gate - London 1900
Antoine Vanner 
A Sack of Potatoes - The Netherlands 1954
Kathy Hollick-Bater 
Grumpy Old Grandfather – Anywhere, Present-day

with an introduction by


About Helen's story

Way back in the early 2000s a certain movie came out that was intended for children with the main idea to boost the popularity of one of the rides at Disneyland California. What the Movie Makers didn't think through was the potential popularity - or even craze - that the lead actor created. In fact, if I recall, he wasn't even intended to be the lead actor, or at least, the lead character. That was supposed to have been Orlando Bloom as Will Turner... except Johnny Depp's interpretation of Jack Sparrow overtook everything - including the ride at Disney.


Pirate Mania  - Jack Sparrow Mania - had arrived. And not just for the kids!
It turned out that us Grown Ups delighted in the daft fun of it all. I say 'daft', because in truth, the movie was daft: totally implausible, several really bad continuity bloopers - but genuine laughter FUN.

The first time I saw it was on DVD one afternoon in 2004 when I wasn't well. I got to the bit where Jack Sparrow nonchalantly steps off his sinking boat onto the jetty at Port Royal. I laughed out loud... and didn't stop laughing.

Hooked is probably an understatement. Being interested in history I delved into what bits of the movie were based on fact (leaving out walking skeletons and cursed gold!) I also searched for a good novel or two or three along the same sort of theme: light-hearted nautical adventure with a good [adult] romantic interest and a touch of supernatural fantasy. I found several Young Adult stories - the emphasis being on young. (Basically no sex or violence). I also found lots of adult nautical adventures - Patrick O'Brian, C.S. Forester, Alexander Kent... all super novels, but with a distinct lack of 'feminine interest' (a lack of female characters!) So I decided to write my own.

Sea Witch the First Voyage of Captain Jesamiah Acorne was the result. Publishing it was not straightforward, suffice to say I parted company with my (ex) agent and traditional publishing and went 'indie' in 2006  (so, twenty years ago!) It was a sharp learning curve - but the best decision I ever made. (Well, apart from moving from London to Devon in 2013!)

I am currently writing the Seventh Voyage (Jamaica Gold) which I will publish soon. But as a prequel story I wrote When The Mermaid Sings - or 'How Jesamiah Became A pirate'.

https://viewbook.at/WhenMermaidSings

That novella is doing well, and I wrote a substory connected with it, (because I had the idea and that idea needed to be written down.) Not knowing what to do with it though, I filed it away on Dropbox... and then I proposed another anthology with the theme of Courage, and that was that. A Taleteller's Tale found its home!

read a snippet

A TALETELLER’S TALE by Helen Hollick
Somewhere in the Caribbean, 1709

When the only sound is the song of the sea, do you listen?
Or do you drown in the embrace of a mermaid?

The careening was done. Tomorrow, when the sun eased above the eastern horizon to convert the clear, star-pocked night sky to the bluest of blue, and the night-black sea to all the ocean shades that can be found upon an artist’s palette, they would pack up their camp, kick sun-warmed white sand over the cold, grey ash of the rock-rimmed fire pits, board their ship and sail away to lands near and far, and to take what they wanted or needed from those who dared to sail too near to their bow-wave. Pirates had the freedom to do such things.

But for now, for this last night of rest and carousal, it was time to roast wild pig on the spits and drink dry the broached kegs of rumbullion – strong, dark, rum.
And to tell tall tales of past adventures...

“Ah,” said the helmsman, Frank O’Bartlett, his nut-brown face brightening, the deep wrinkles smoothing momentarily, “did I ever tell thee o’ the mermaid we once encountered?”

The men lazing around the fire, sucking the last of the marrow fat from the pork bones or refilling their tankards with strong rumbullion either laughed or groaned.

“Several times, mate!” Jon Cleyver, the bos’n, chortled. “I reckon we knows it as well as you does!”

Jesamiah Acorne, however, pricked up his ears. He was still new to the crew, young, only sixteen or seventeen – he’d forgotten which, because he had lied about his age when he’d run away from his Virginia home and the bullying of his half-brother. Had lied in order to join the crew of the Mermaid, under the command of his dead father’s old friend, Captain Malachias Taylor. “I’d like to hear it,” he said with enthusiastic interest.





About Helen:
Originally first published in 1993, and now known for her captivating storytelling and attention to historical detail, Helen’s historical fiction, nautical adventures, cosy mysteries and short stories, invite readers to step into worlds where the boundaries between fiction and history blend together. Her historical novels span a variety of periods, with a particular focus on the Early Medieval. Her Pendragon's Banner series offers a vivid portrayal of the King Arthur story set against a plausible reality setting, while the events that led to the 1066 Battle of Hastings shows her ability to bring historical figures and settings to life.

Her novel about Queen Emma (The Forever Queen – USA title) became a USA Today best-seller.

In the Sea Witch Voyages, she subtly weaves in elements of supernatural fantasy against the Golden Age of Piracy, creating an immersive and addictive nautical adventure experience.

Her Jan Christopher cosy mystery series is set during the 1970s, based around her, sometimes hilarious, years of working as a North London library assistant. Her 2025 release of Ghost Encounters, co-produced with her adult daughter, Kathy, reveals some benign ghosts of North Devon where the family moved to in 2013. Helen has written several short stories, further exploring the echoes of the past, all with her compelling and convincing signature style.

Amazon Author Page: 


e-book & paperback from Amazon
or order from any good bookstore


more great anthologies
featuring various authors



> Next spotlight: Elizabeth St.John

You might also like books written by 
Helen Hollick 

cosy mystery series
nautical supernatural adventure 
historical fiction:
King Arthur / 1066 era
non-fiction:
Ghost Encounters
Pirates /smugglers



Say thank you...
leave a comment on Amazon or Goodreads etc