MORE to BROWSE - Pages that might be of Interest

Wednesday, 24 June 2026

Out Now - Antoine Vanner COURAGE: Tales of History, Mystery and Hope

 e-book & paperback from Amazon

or order from any good bookstore


Today we feature 
ANTOINE VANNER

A SACK OF POTATOES by Antoine Vanner

Groenhorst, outskirts of Amersvoort, The Netherlands

November 11th, 1954

Courage meant survival for many – but others relied on greed...


trailer/animation by Jean Gill (A.I. generated)
cover graphics by  www.avalongraphics.org

(some stories have an adult content others a 'you will need tissues' warning) 

Fifteen short stories about Courage
featuring authors:

The Sentry - Noricum AD 395
The Saxon - Southern Britain AD 471
The Phoenix - a fictional country circa AD 900
Siflede - London 1066
Daisy Chain - England 1141
Stepping Between - England 1308
Confronting Plague - England 1361
Kate’s Letter - Transylvania 1478
The Portrait’s Secret - Paris 1536
Legacy - England 1558
Darkness Rising - Venezia 1923
A Taleteller’s Tale - The Caribbean 1709
The Gate - London 1900
Antoine Vanner 
A Sack of Potatoes - The Netherlands 1954
Kathy Hollick-Bater 
Grumpy Old Grandfather – Anywhere, Present-day

with an introduction by


About Antoine's story
A Sack of Potatoes

When family and others told me of their experiences of living under Nazi occupation in the Netherlands, 1940-45, what struck me most were not the physical realities, dreadful as they were, but the psychological impact on both individuals and society as a whole. It was the realisation that, almost overnight, all previous certainties had disappeared and everybody was subject to an absolute tyranny with arbitrary power over life and death.

It was worsened by awareness that the existing structures of the Nation State had not only proved totally inadequate to resist invasion (it had capitulated after five days) but that these structures – including civil governance, bureaucracy and police forces – became, to a great extent, active tools of the occupying power. A significant minority of the population collaborated actively and envisaged a future role for themselves in a Germany-dominated Europe. Almost a hundred thousand joined the NSB, the Dutch Nazi Party, and its various affiliates and others fought in the Waffen SS on the Eastern Front.

That 80% of the Jewish population was murdered (compared with 45% in neighbouring Belgium) was in no small part due to the role played by Dutch bureaucrats, the national and municipal police forces and railway officials. 

The landscape was not suited to guerilla warfare or easy hiding of fugitives. Given the savagery of the penalties, resistance, however minor, demanded courage of an almost insane level and thousands did rise to the challenge and pay an appalling price for it.

For many however, the occupation was an opportunity to gain petty power and aggrandisement, rewards for betrayal and black-market profits. 

Loyalties and trust broke down, sometimes even within families. Recognition that fellow citizens were complicit in the oppression was devastating and disillusioning for many. Survival was a valid objective, but each had to make their own decision as how much they must bend to circumstance.

May we never be faced with such choices!

And in the last nine months of the war, when the southern third of the country was already liberated by British, Polish, Canadian and American forces, the suffering in the remaining two-thirds would reach a horrific climax.

And it is stories heard about survival in this last period that inspired “A Sack of Potatoes.”



read a snippet

A SACK OF POTATOES by Antoine Vanner

Groenhorst, outskirts of Amersvoort, The Netherlands

November 11th, 1954

Courage meant survival for many – but others relied on greed

Saskia had the Renault to herself for the whole week.

“You keep it,” Her husband Dirk had said. “Joop will give me a lift. We’ll be working late each evening. I won’t need it. If we can, we’ll be back late Saturday afternoon.”

And then be gone again at dawn on Monday, as it had been for months. For this was the largest contract that Dirk and her brother had yet taken on, the electrics of a large pumping station in the North-East Polder, supporting land reclamation from what had been the Zuider Zee. They were living, with fifteen employees, in wooden huts on site, working twelve-hour days, eight on Saturdays. They’d established a reputation for completion within budget and ahead of schedule that would virtually guarantee further work – not just more pumping stations, but the new villages planned to arise on the rich farmland that would replace the present endless vista of mud and silt.

She was proud of them both. In the chaos following German defeat, they’d trudged and scrounged lifts back together from Reichenberg, in what was now again called Czechoslovakia. They were of an age, had met there in a weapons factory, had arrived back like emaciated scarecrows. 

about Antoine

Antoine Vanner spent four decades in international business, latterly at senior executive level, and lectured in academia afterwards. He lived through military coups, a guerrilla war, negotiations with governments, storms at sea and life in mangrove swamps, tropical forest, offshore oil-platforms, and the boardroom. He has lived and worked long-term in eight countries, has travelled widely in all continents except Antarctica and is fluent in three languages.

He has a passion for nineteenth-century political and military history and has a deep understanding of what was the cutting-edge technology of the time. His knowledge of human nature and his first-hand experience of the locales – often surprising – of the most important conflicts of the period provide the impetus for his chronicling of the lives of Royal Navy officer Nicholas Dawlish and his magnificent wife, Florence. There are thirteen volumes so far in the Dawlish Chronicles series, the actions set in the period 1858 to 1915.

Vanner now lives in Britain with his wife, Eva Lagassé (a journalist by background), their dog and five horses.

Website: www.dawlishchronicles.com

Amazon Author Page: https://amzn.to/4sB0MUR


The Dawlish Series

start here:

e-book & paperback from Amazon
or order from any good bookstore


great anthologies
featuring various authors



> Next spotlight tomorrow: Kathy Hollick Bater

You might also like books written by 
Helen Hollick 

cosy mystery series
nautical supernatural adventure 
historical fiction:
King Arthur / 1066 era
non-fiction:
Ghost Encounters
Pirates /smugglers



Say thank you...
leave a comment on Amazon or Goodreads etc



Tuesday, 23 June 2026

Out Now! Elizabeth St.John - COURAGE: Tales of History, Mystery and Hope

 e-book & paperback from Amazon

or order from any good bookstore

Today we feature 
ELIZABETH ST.JOHN


The Gate by Elizabeth St.John

London, 1900

When desperation is the only option and courage costs everything...


trailer/animation by Jean Gill (A.I. generated)
cover graphics by  www.avalongraphics.org

(some stories have an adult content others a 'you will need tissues' warning) 

Fifteen short stories about Courage
featuring authors:

The Sentry - Noricum AD 395
The Saxon - Southern Britain AD 471
The Phoenix - a fictional country circa AD 900
Siflede - London 1066
Daisy Chain - England 1141
Stepping Between - England 1308
Confronting Plague - England 1361
Kate’s Letter - Transylvania 1478
The Portrait’s Secret - Paris 1536
Legacy - England 1558
Darkness Rising - Venezia 1923
A Taleteller’s Tale - The Caribbean 1709
The Gate - London 1900
Antoine Vanner 
A Sack of Potatoes - The Netherlands 1954
Kathy Hollick-Bater 
Grumpy Old Grandfather – Anywhere, Present-day

with an introduction by

About Elizabeth's story
The Gate

Pitman Street

In the winter of 1900, a woman stands at the gates of Lambeth Road Workhouse with her two children and makes the hardest decision of her life.

The Victorian workhouse is designed to be a last resort: deliberately harsh, intentionally humiliating, a place so bleak that only the truly desperate would choose this refuge over the streets. For a widowed mother with no wages, no family, and no options, it is the only thing left between her children and starvation.

Margaret Anderson knows the cost. She knows they will be separated, children from mother, brother from sister, and housed in wards governed by bells and silence and the systematic erasure of everything personal. Worse, she has no way of knowing if or when they will come out, or whether the children she retrieves will be recognisable as the children she had committed.

The Gate is fiction rooted in documented truth, inspired by real lives and extant records that still survive in the London archives. It asks a question that no document can answer: what does it feel like when the only path forward is one that terrifies you? When you cannot know if you are saving your children or simply losing them more slowly?

Fear is the gate. Courage is to step across the threshold.

Why I wrote The Gate

Some stories find you. This one ambushed me.

I have spent my writing life with strong women, about ancestors who lived centuries ago, whose courage I admired from a safe historical distance. Women whose lives I could research, fictionalise, and honour without it touching the bone. This story is different. The Gate is two generations away. My grandmother is the one who walked through it.

When I discovered that Harriet had spent her childhood in the London workhouse system, I sat with the documents for several months before I could write a word. The admission papers. The transfer order moving two small children between institutions like items in a ledger. The silence that followed, the years of archive gaps where a family should have been. And underneath all of it, Harriet’s mother Margaret, a woman who had lost everything and still found the courage to do the one act left to do.

What stopped me wasn't the history. It was the proximity. Harriet was my grandmother. Her silence about those years, which she carried to her grave, folded into the family like something shameful rather than something extraordinary, is itself a testament. It tells you everything about what survival cost, and what it required you to leave behind.

Researching this story, I travelled to a workhouse with my daughter. We walked those halls together: the stone corridors, the high cold windows, the bleak yards where children exercised, and I tried to place my grandmother there. A girl of ten. Alone. Without her mother. She would not leave me, and I could not leave her.

Standing in that yard, my daughter turned to me and said I was the most resilient person she had ever known. I looked at her and replied: you are. I understood in that moment that we are both simply doing what Margaret did, and what Harriet did after her, carrying forward what was passed to us, without always knowing it was being passed.

Margaret's courage was not spoken of. It was simply lived, and handed on, silently, to every woman who came after her. To write this story is to finally say out loud what the family never could.

She was extraordinary. And she deserves to be known.

read a snippet from

The Gate by Elizabeth St.John

London, 1900

When desperation is the only option and courage costs everything

The pot had nothing left to give. Margaret scraped the last of the congealed oats anyway, the spoon going round and round the cold iron. The fire had been dead since Tuesday. She stopped looking at the hearth two days since, the ash piled grey and spent like old rags.

“Mum, you’re up early.” Harriet woke first, as Harriet always did. She opened her eyes with that look she had, like she’d been awake already, waiting in the dark. There were times Margaret watched that little face and felt observed by someone much older than ten, someone who understood the shape of things and did not question.

“That I am,” Margaret said. “Wake your brother.

About Elizabeth:

Elizabeth St.John’s critically acclaimed historical fiction brings to life the stories of her ancestors—extraordinary women whose close connections to England’s kings and queens offer an intimate perspective on Medieval, Tudor, and Stuart times.

Inspired by family archives and historic residences from Lydiard Park to the Tower of London, she explores ancestral portraits, diaries, and lost gardens—and occasionally encounters a ghost. Exploring a whole different family history in The Gate, Elizabeth expands her storytelling into the early 20th century, adding a new era to her repertoire.

Living between California, England, and the past, Elizabeth is International Ambassador for The Friends of Lydiard Park and curator of The Lydiard Archives, where she is always searching for inspiration for her next novel. Her works include The Lydiard Chronicles, set during the English Civil War, and The Godmother’s Secret, exploring the mystery of the princes in the Tower. In The King’s Intelligencer, set in the court of Charles II, a young woman must decide what she is willing to risk to reveal the whereabouts of the missing princes.

Website: www.elizabethjstjohn.com

Amazon Author Page: 

https://geni.us/AmazonElizabethStJohn

Lucy St.John, a highborn orphan at King James’s glittering court, is drawn into a dangerous affair with the Earl of Suffolk—a choice that earns powerful enemies.

https://geni.us/MyBookLOTT

e-book & paperback from Amazon
or order from any good bookstore


more great anthologies
featuring various authors


> Next spotlight tomorrow: Antoine Vanner

You might also like books written by 
Helen Hollick 

cosy mystery series
nautical supernatural adventure 
historical fiction:
King Arthur / 1066 era
non-fiction:
Ghost Encounters
Pirates /smugglers



Say thank you...
leave a comment on Amazon or Goodreads etc