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Tuesday, 27 July 2021

Wednesday Wanderings - Sent to The Tower (not looking for the Tudors) with Nicky Galliers

visiting around and about,
wandering here and there...



The Tower of London ... A Personal Visit
by Nicky Galliers


I went to the Tower today, took a whole day holiday just for me. I'm just totally hooked. I have been before, but I was seven and my dumb school party, when offered the Bloody Tower or the gift shop, chose the gift shop! I remember fuming ineffectively and asking if I could go to the Bloody Tower on my own instead.

It was empty. There is usually a queuing system for the Crown jewels that makes the average passport control look like a blip but it was deserted. The only queue was for the ice-cream van. I knew it would be like this without the foreign tourists, and that's why I went, and before the schools break up.

The warders want to talk. I had a Yeoman Warder to myself for ten minutes plus talking about all sorts, starting with where Gruffydd ap Llywelyn fell to his death and the Warder told me that we'd have had maybe 20 seconds in 2019 to talk at the same time of year. He told me to make the most of it,  talk to them as they want to talk. I then found a lady in the White Tower who I spent a good 30 mins talking to and she showed me places behind those red cordons, discussing the architecture...

Where is everyonbe?

It is actually quite hard to find the Plantagenets at The Tower of London. The curators of the historic site seem to want to pander to the popular belief that Henry VIII was the Only King of England, or, at least, the only interesting one. There are brief mentions of Henry III and Edward I who made changes to the Tower and its towers, but few others get any kind of mention.

But they are there, if you look hard enough, and if you let your imagination slip away through the windows, up the steps, and into the hidden darknesses.

It does seem quite bizarre that so much weight is placed on the one king whose involvement in the Tower came half way through its life so far. Built in the 1070s, Henry VIII only arrived in the 1500s and the Tudor’s tenure was short-lived by the standards of the fortress. All gone by 1603, one hundred and eighteen years. Whereas the Plantagenet line, and its direct ancestral line, the Normans, owned it for over four hundred.

The White Tower

From a comment from one of the wardens in the White Tower, I gleaned that the Yeoman Warders themselves like to celebrate the earlier occupants of the Tower, and look on the Tudors with a little more disdain than the visitors. They certainly know who they were. A question put to one, Yeoman Warder Phillips outside the Bloody Tower, brought an answer immediately with no need to explain further. 

‘Around 1240 a Welsh prince fell from one of the towers, but I don’t know which one,’ I said. 
‘Gruffydd ap Llywelyn. He fell from there,’ said Yeoman Warder Phillips, and pointed to the south-west corner of the White Tower in front of us. 

Where Gruffydd fell

Once over my astonishment and glee that he knew who Gruffydd ap Llywelyn was, we had a lovely chat about the man, and the legends that have grown up around him. This one, over-looked, foreign prince, step-grandson of King John, is remembered by the Warders. I wonder how many visitors ask about him – not many, I suspect. Yeoman Warder Phillips told me of the legend that the bank beneath that corner of the White Tower is carpeted with daffodils in the spring, watered by the blood of this Welsh prince. It is, of course, tosh, but it shows just how entrenched the ghosts are that Gruffydd has his own myth perpetuated to those who will listen by the Warders. 

Another place that the Plantagenets have left their mark is, unexpectedly, the Crown Jewels. The jewel house is quite gloomy; the walls are dark and the lighting is all on the jewels and the feeling is not of somewhere sumptuous but more, well, London Dungeon. The row upon row of metal barriers outside and the moving walkway inside give testament to the crowds usually attracted to these gems. The day I went, the queue for the ice-cream van was longer.

The Crown Jewels Queue

The crowns are mostly modern, with just a few that date as far back as Mary of Modena in 1685. But it was here that I found one of my favourite Plantagenets – Edward, the Black Prince. The Imperial State crown which dates to 1937 contains the Black Prince’s ruby. There is nothing else on the display to explain what this stone is, so, I trotted off to find a warden to help.

The legend is that the ruby, a large, misshapen, polished stone – not cut – was gifted to Edward, the Black Prince (known then as ‘of Woodstock or Prince of Aquitaine) in Spain for services rendered on the battlefield. It passed into the hands of Henry V which makes sense as Henry rather admired Edward, and he reputedly wore it attached to the crown on his helm during the battle of Agincourt. It has a hole drilled through it to help mount it. However, so the story goes, he lost it during the battle, and tasked some poor soldier to go and find it, or not bother coming back.

And this is where the mystery really starts. The stone mounted in the front of the Imperial State crown isn’t a ruby. It’s a spinel, a pretty but far more common stone and not the same value as the equivalent ruby would be. The warden told me he had to explain this to the Queen’s jeweller when he was asked to give a guided tour to him.

Was there ever a ruby? Was it only ever a spinel, or was it switched at some point, taken from another setting to be gifted to Henry V in place of his lost stone? Who knows, and who ever will?

And so my search took me to the White Tower itself. Part way up the wooden stairway is an open door. It was knocked through into a stairwell so there was a way out of the donjon to the buildings facing it that once stood in the innermost ward, such as the Great Hall where Anne Boleyn was tried. There had been a forebuilding attached to the front, a feature of Norman castles offering another layer of defence – a door into the forebuilding and then another door into the donjon protected by a portcullis cutting the donjon off completely from the forebuilding. That is now long gone though it appears on the 1597 diagram of the Tower, and likely prevented communication between the Tower and the Great Hall. It was under this stairwell that the bodies of the two princes were found, those boys believed to be Edward V and his brother Richard, supposedly killed by Richard III. Ana, the wonderful warden I struck up a long conversation with, believes that Richard had nothing to gain by killing them, but she also held that, whoever they were, these children were Someone because they were disposed of in the heart of the royal palace and that, therefore, Someone knew. Until and unless the Queen allows their bones to be exhumed and their DNA compared with that of Richard III, we’ll never know who they are. If they aren’t the princes, who ARE they?

And it was in the White Tower that I found the most compelling evidence of my Plantagenets, of that family that ruled these lands for four hundred years, that produced heroes and villains in equal measure, men – and women – who were anything but ordinary.

There is a mask of Edward III in a case in the entrance level of the Tower, just beyond the partition wall on the north east side. It is a facsimile created in wood between 1685 and 1688. It seems to be a fair representation, based on his funeral mask and the face on his tomb which was taken from life. I knew of the existence of the mask, but not its location so coming face to face with my favourite king was a pleasant surprise. And he was quite handsome with prominent cheekbones in a slim face. 

Beside this case, in the archway in the partitioning wall, is something that is not on general view, and even if that part of the room were, most people would walk past without thinking. This archway is lower than the others and was the actual doorway through from one side to the other, the other arches would have been blocked with decorated panels. This one would have contained a door, and that door would have been secured by a long pole pulled out from the wall next to it and across and probably secured in a recess the other side. The pole would have sat in a long, tube-like recess, about ten centimetres wide, and at least two meters long, lined with four planks made from single lengths of wood. The effort required to replace these, buried so deep in the wall, far outweighs any gain. Therefore, these pieces of wood, as insignificant as they appear, date to the 1070s and are some of the oldest remaining wood in the building. And no one knows it’s there. Except Ana, my guide, and now me. And now you.

On this level are the other places where I knew I could find traces of my Plantagenets, and they are the most obvious and yet the least considered places and, when I say it, you’ll think yuck... 

A loo

The White Tower has excellent facilities. There are toilets everywhere. At least three per level. Whoever you are, whatever you do in life, you use the loo. It isn’t romantic, but if people leave a psychic trace of themselves in the places they frequented when alive, the loos are a prime candidate for hauntings. Edward III, Edward the Black Prince, Richard III, Empress Matilda, Henry VIII, William the Conqueror, they all used these garderobes. When it comes down to it, we’re all the same.

Take your choice which one to use

I went to the Tower of London in search of the Plantagenets, and found a lot more. I found Edward III, and old friend, his face staring back at mine. I found the mystery of the Black Prince’s ruby. I found new friends, Yeoman Warder Phillips who, out of the 37 Yeoman Warders stationed at the Tower, was the one who happened upon my Tweets and reached out through Twitter, though he never knew my name. And Ana, the amazing guide who showed me places I otherwise wouldn’t have seen. And I met with a few strangers, the vivid depiction of a man painted on the wall of a room where Sir Walter Raleigh had spent so much time, only uncovered in 2018. Who was he? Maybe we’ll never know, but maybe we’ll find more under the plaster in years to come. I found a community, a group of people who are as much as part of the history and the story of the Tower as poor Anne Boleyn. 

The Tower has always been home to a large community, larger than many villages and towns – several thousand people at its height.

As I decided it was time to leave – for this visit, I will be back – I decided to have a quick look at the Royal Mint display. And as I wandered along the medieval coins, I smugly counted to myself ‘Got that one; got that one; got that one….’

images: © Nicky Galliers & Pixabay

*** *** 

You might Also like

Books By Helen Hollick 

Website: https://helenhollick.net/

Amazon Author Page: https://viewauthor.at/HelenHollick 

A Mirror Murder
#1 in the Jan Christopher 
Cosy Mystery Series
set in a 1970s London library 

Liked Pirates Of The Caribbean?
then you'll love the Sea Witch Voyages!

A post-Roman warlord and the story
of King Arthur as it might have really happened
The boy who became a man
The Man who became a King
The King who became a legend
Book One of the Pendragon's Banner Trilogy
The Kingmaking (UK edition - US edition)

Monday, 26 July 2021

Tuesday Talk with my guest Eric Schumacher What Was Kievan Rus’ to the Vikings?

 

where guests can have their say about...
anything they want!






What Was Kievan Rus’ to the Vikings?

In the late 900s, the future king of Norway, Olaf Tryggvason, is driven from his home by the treachery of his half-cousin, who rules the land. His flight takes him across the world of the Vikings, placing him in some of the most colorful events and places of that time. The second part of Olaf’s story is told in my latest novel Sigurd’s Swords, which finds Olaf in the historical kingdom of Kievan Rus’, or, in the Old Norse tongue, Gardariki, serving his maternal uncle as a household warrior.

From the feedback I’ve received, it’s clear that more is known of the Vikings in England, France and Ireland, and that fewer readers know about this place called Kievan Rus’ or Gardariki – a place that will eventually become what is now called Russia, Belarus, and the Ukraine – or the important role it played in the Viking story. Hopefully this post will help shine a bit more light on that bygone land.

At roughly the same time as the mostly Danish and Norwegian raiders were headed west for gold and slaves and land, raiders from what is now called Sweden headed east on the Austvegr, or the East Way. By the late 700s, those raiders (known as Rus or Varangians) knew most of the Baltic coastline, having fought skirmishes as far east as Estonia. Their exploits now took them farther, into the land of the Slavic tribes and down the riverways of what is today Poland, Estonia, Latvia, Lithuania, Russia, Belarus and the Ukraine. 

The Russian Primary Chronicle tells it this way. In AD 859, the “Varangians from beyond the sea imposed tribute upon the Chuds, the Slavs, the Merians, the Ves', and the Krivichians.” The following year, “the tributaries of the Varangians drove them back beyond the sea and, refusing them further tribute, set out to govern themselves.” 

Sometime in AD 861 or 862, the Varangians were back, this time at the invitation of the same Eastern Slavic tribes. “There was no law among them, but tribe rose against tribe. Discord thus ensued among them, and they began to war one against another. They said to themselves, "Let us seek a prince who may rule over us and judge us according to the Law." They accordingly went overseas to the Varangian Russes. The Chuds, the Slavs, the Krivichians, and the Ves' then said to the people of Rus', "Our land is great and rich, but there is no order in it. Come to rule and reign over us." They thus selected three brothers, with their kinsfolk, who took with them all the Russes and migrated. The oldest, Rurik, located himself in Novgorod;..."

Rurik and the Slavs

Historians have long doubted that the Slavs did indeed invite the Rus back. Be that as it may, by AD 862, the Rus were in control of the Volkhov River from Lake Lagoda to Lake Ilmen, and they had no desire to stop there. The land was rich in furs, honey, beeswax, and slaves, and the Scandinavians were hungry to see what else they could find. Over the subsequent decades, Rurik and his descendants pushed east and south, eventually reaching the Black and Caspian Seas. They battled with tribes in and beyond their borders, such as the Magyars, Bulgars, and Pechenegs. They erected settlements that eventually grew into great towns, such as Novgorod and Kyiv. By the late 900s, their trading empire stretched from Birka in the north to the great walled city of Constantinople in the south. But that is where their expansion stopped.

Though the Rus continued to consolidate their power, organize themselves within their borders, and grow wealthy off of trade with the southern kingdoms, they failed to break the might of Constantinople, which used a combination of statecraft, bribery, marriages, and proxy wars to keep the Rus at bay. By the 1100s, internal power struggles among the ruling class and the decline of Constantinople further weakened the state. At the end of the 12th century, Kievan Rus’ fragmented even further, into roughly twelve different principalities and the power of the Rus dissolved. 

I have long been fascinated by Kievan Rus’ for the dangers it presented to Viking adventurers, for its colorful leaders and their thirst for power, and for the part it played in the Viking story. My novel, Sigurd’s Swords, takes place in the 900s, which was a particularly tumultuous time in that kingdom – a time of expansion and wealth and warring, as well as a time still shrouded in mystery. It is into that setting that I ventured with my characters Olaf and his friends Torgil and Turid, and one that I feel richer for exploring.

© Eric Schumacher

About Sigurd’s Swords

From best-selling historical fiction novelist, Eric Schumacher, comes the second volume in Olaf's Saga: the adrenaline-charged story of Olaf Tryggvason and his adventures in the kingdom of the Rus.

AD 968. It has been ten summers since the noble sons of the North, Olaf and Torgil, were driven from their homeland by the treachery of the Norse king, Harald Eriksson. Having then escaped the horrors of slavery in Estland, they now fight among the Rus in the company of Olaf's uncle, Sigurd. It will be some of the bloodiest years in Rus history. The Grand Prince, Sviatoslav, is hungry for land, riches, and power, but his unending campaigns are leaving the corpses of thousands in their wake. From the siege of Konugard to the battlefields of ancient Bulgaria, Olaf and Torgil struggle to stay alive in Sigurd's Swords, the riveting sequel to Forged by Iron.

Available on Amazon worldwide 

in print and eBook formats: https://mybook.to/sigurdsswords

About  Eric

email: Eric Schumacher

Eric Schumacher (1968 - ) is an American historical novelist who currently resides in Santa Barbara, California. He has written extensively about the Viking Age, including five novels following the lives of two Norwegian kings: Hakon the Good and Olaf Tryggvason. You can follow Schumacher by joining his newsletter, or by following him on his website, on Amazon, BookBub or GoodReads.

Twitter @DarkAgeScribe

Facebook 

< PREVIOUS POST

 * * *   * * *

You might Also like

Books By Helen Hollick 

Website: https://helenhollick.net/

Amazon Author Page: https://viewauthor.at/HelenHollick 

A Mirror Murder
#1 in the Jan Christopher 
Cosy Mystery Series
set in a 1970s London library 

Liked Pirates Of The Caribbean?
then you'll love the Sea Witch Voyages!

1066: the events that led to The Battle of Hastings
Harold the King (UK edition)
I Am The Chosen King (US edition)
1066 Turned Upside Down -
an anthology of alternative stories


Monday Musing - Thaddeus Thomas and Steampunk Cleopatra - My Coffee Pot Book Club Guest

Where I Start The Week With An
Interesting Guest or Topic

Musing on a Monday about
... stuff


If you could go back to visit one location in history, what would it be? For many, the answer is the Library of Alexandria which claimed to be the greatest collection of knowledge in history, all of which was lost with the library's destruction. According to myth, the library fell during the civil war between Cleopatra and her brother, burning to the ground in the fire Julius Caesar started aboard his own ships as he escaped the clutches of the young Pharaoh. Is any of it true? And what secrets might the library have once held and lost? A fascination with the library led Thaddeus Thomas to write his debut novel, Steampunk Cleopatra, and while history gives us the first answer, his historical fantasy attempts to give us the second. 

The Ptolemaic dynasty was the patron of the library, and it was founded not long after the city of Alexandria, itself, which was named for Alexander the Great. The first Ptolemy has been one of Alexander's generals, and when the lands were divided after Alexander's death, he took Egypt. He was a Macedonian Greek, and his inbred dynasty culminated in Cleopatra, the first Ptolemaic Pharaoh to speak the Egyptian language. The Ptolemies led a country to which they were always foreign and sealed themselves away in the coastal city they had built for themselves.

19th century artistic rendering of the Library of Alexandria
by the German artist O. Von Corven,
based partially on the archaeological
evidence available at that time
(image: Wikipedia)

Alexandria's was not the only library of its kind but the most famous and reportedly, the most ambitious. When ships docked, Alexandria seized and copied their books. The copies were returned to the ships, and Alexandria kept the originals. Egypt was the wealthiest nation in the world, and its library had a stranglehold on information. We can hope and assume that the scholars returned accurate, unedited, uncensored books to their owners, but we have only their word on the matter. The library's collection began with the collections in the royal libraries of Egypt that predated it, such as the Library of Ashurbanipal, the first systematically organized library in the world. It was through its collection that the Epic of Gilgamesh survived. 

This collection and others, like the library of Menephtheion, became the basis for the Library of Alexandria, and from its beginning, the work done at the library astounded the world. It is the birthplace of the astounding inventions and founding scientific principles of the classical era, built on the forgotten work of the world's oldest civilization. 

We know much of what was in the lost collections of Alexandria, some texts survive, the knowledge of others remains. Many of its masters are legendary. The work of Euclid remained the primary source for teaching mathematics into the early twentieth century, but as Thomas pondered what works might have been lost, he realized there was likely a larger issue. What works had the library hidden?

Political power is the control of information. It is true today, and it was true then. The Library of Alexandria was not destroyed in Caesar's fire but survived for many years after. It was not lost by accident but destroyed on purpose because knowledge is dangerous. Even the Ptolemies feared it, and two generations before Cleopatra, foreign scholars were driven out and cataloging became the primary focus. The days of great original work were largely gone. Historically, destruction came in 391 CE, under the order of the Roman Emperor Theodosius 1, in his attempt to eradicate paganism in the name of Christianity. The final blow then came in 640 CE, when the Caliph Omar repeated the attack in the name of Islam.

If knowledge is power, then the powerful must control knowledge. Sometimes that has meant hiding or destroying it. Thomas saw the wonders attributed to the early masters of the library and wondered how much of that was rooted in and stolen from the Egyptians. What might this knowledge have been and where it might have taken us? The first century CE, Hero of Alexandria invented the world's first steam engine, but it faded into history as a novelty without any perceived purpose.

This is the inspiration for Steampunk Cleopatra, an exploration of what could have been...

Amani, a companion of Cleopatra, seeks to rediscover Egypt's suppressed science and history. She is the beloved of her princess become queen, but that may not be enough to overcome the system they've inherited. If she fails, her country and Cleopatra, both, could fall. History meets fantasy, and together, they create something new. Experience an intelligent thriller about star-crossed lovers and an ancient science that might have been. 

ABOUT THE AUTHOR

Thaddeus Thomas lives on the Mississippi River with his wife and three cats. Steampunk Cleopatra is his first novel, but he has a short story collection available at his website, ThaddeusThomas.com. There he also runs a book club where readers can receive indie book reviews and recommendation. His second book—Detective, 26 AD—releases July 9th and follows Doubting Thomas as he is conscripted to be an investigator for Pontius Pilate.

Social Media:

Website: thaddeusthomas.com

Twitter

Facebook

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Buy The Book

Available on KindleUnlimited

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Amazon CA   Amazon AU

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*** *** 

You might Also like

Books By Helen Hollick 

Website: https://helenhollick.net/

Amazon Author Page: https://viewauthor.at/HelenHollick 

A Mirror Murder
#1 in the Jan Christopher 
Cosy Mystery Series
set in a 1970s London library 

Liked Pirates Of The Caribbean?
then you'll love the Sea Witch Voyages!

1066: the events that led to The Battle of Hastings
Harold the King (UK edition)
I Am The Chosen King (US edition)
1066 Turned Upside Down -
an anthology of alternative stories

A post-Roman warlord and the story
of King Arthur as it might have really happened
The boy who became a man
The Man who became a King
The King who became a legend
Book One of the Pendragon's Banner Trilogy
The Kingmaking (UK edition - US edition)

Wednesday, 21 July 2021

Wednesday Wanderings with author David Fitz-Gerald



visiting around and about,
wandering here and there...



The Curse of Conchobar―A Prequel to the Adirondack Spirit Series by David Fitz-Gerald

A Tale of Two Mountains

I like to write fiction that is grounded in history and soars with the spirits, and I use that phrase like a mission statement. My Adirondack Spirit Series is an epic, multi-generational family saga. Each book stands alone. What they have in common are ancestry, the Adirondack Mountains of New York State, natural history, and supernatural tendencies that just seem to run in the family. All that said, many of the settings are decidedly ALPINE.

After writing Wanders Far and She Sees Ghosts, similarly set, I decided to write a new beginning to the series. A character appeared in my head and compelled me to build a story around him. He seemed like the perfect, ancient ancestor for my series. Since I planned to drop him in a new world where he would head for the mountains, I wanted him to come from a mountain as well.

I had the pleasure of visiting Ireland in 2019 with my family. If we had known what was coming, I bet we would have stayed much longer. My favorite part of our visit was the day that we spent at the Cliffs of Moher. I would love to have visited Skellig Michael, where Conchobar grew up among monks and learned to be a mason. As a hiker and mountain climber, I would love to have climbed the steps to see the ancient structures. Fortunately, I found this stunningly beautiful drone footage by Peter Cox Photography on Youtube at: https://www.youtube.com/watch?v=SxU6kk24mho


As an Adirondack 46-er, I’ve hiked to the top of every mountain with an elevation higher than 4,000 feet. My favorite climb is New York State’s second tallest mountain, Algonquin Peak. From there, you can walk a ridge that leads to the eighth tallest mountain, Iroquois Peak. The Adirondack Mountains are very different from Skellig Michael, but these are the mountains that beckoned Conchobar in his new world. 

Algonquin Puddles, taken from Algonquin Peak,
showing Iroquois Peak beyond, and Lake Champlain
in the background, Photo by David Fitz-Gerald

Between his mountainous backstory and alpine ending, Conchobar became a pawn in a never-ending war between rival villages, precursors to the Haudenosaunee, or Iroquois people who later inhabited what is now New York State. The scenes I set depict life in the eastern woodlands. In addition to its historical and supernatural elements, this is a book about surviving in the wild. I hope that a reader will experience the hardship of living from hand to mouth, the life of a hunter and gatherer. If I did my job, readers will even imagine a face full of spiderwebs as they read about Conchobar’s ride in a canoe, and then wonder where the spider that lived there ended up.

Are you a fan of the beach or do you prefer the mountains? I enjoy a little time at the beach, lots of time on the prairies, but nothing tops the mountains as far as I’m concerned. Like Conchobar, I’m happiest at an elevation of 4,000 feet or more, with my head in the clouds, or better yet, on a clear day with a 360-degree view beyond my feet.

Happy reading!
© David Fitz-Gerald

Banished by one tribe. Condemned by another. Will an outcast's supernatural strengths be enough to keep him alive?

549 AD. Raised by monks, Conchobar is committed to a life of obedience and peace. But when his fishing vessel is blown off-course, the young man's relief over surviving the sea's storms is swamped by the terrors of harsh new shores. And after capture by violent natives puts him at death's door, he's stunned when he develops strange telepathic abilities.

Learning his new family's language through the mind of his mentor, Conchobar soon falls for the war chief's ferocious daughter. But when she trains him to follow in her path as a fighter, he's horrified when his uncanny misfortune twists reality, causing more disastrous deaths and making him a pariah.

Can Conchobar defeat the darkness painting his steps with blood?

The Curse of Conchobar is the richly detailed prequel to the mystical Adirondack Spirit Series of historical fiction. If you like inspiring heroes, unsettling powers, and lasting legacies, then you'll love David Fitz-Gerald's captivating tale.


Buy The Curse of Conchobar to break free from the fates today!
Trigger Warnings: Violence

Buy Links:


ABOUT DAVID
David Fitz-Gerald writes fiction that is grounded in history and soars with the spirits. Dave enjoys getting lost in the settings he imagines and spending time with the characters he creates. Writing historical fiction is like making paintings of the past. He loves to weave fact and fiction together, stirring in action, adventure, romance, and a heavy dose of the supernatural with the hope of transporting the reader to another time and place. He is an Adirondack 46-er, which means he has hiked all of the highest peaks in New York State, so it should not be surprising when Dave attempts to glorify hikers as swashbuckling superheroes in his writing.

Social Media Links:


The Curse of Conchobar is available for free in exchange for signing up for David’s email list via BookFunnel: https://dl.bookfunnel.com/iwczowhp8q


About the Tour:
Twitter Handle: @AuthorDAVIDFG @maryanneyarde
@coffeepotbookclub
Hashtags:
#HistoricalFiction
#AdirondackSpiritSeries 
#BlogTour 
#CoffeePotBookClub

Tour Schedule Page:

Thank you for visiting David's Tour!

*** *** 

You might Also like

Books By Helen Hollick 

Website: https://helenhollick.net/

Amazon Author Page: https://viewauthor.at/HelenHollick 

A Mirror Murder
#1 in the Jan Christopher 
Cosy Mystery Series
set in a 1970s London library 

Liked Pirates Of The Caribbean?
then you'll love the Sea Witch Voyages!

1066: the events that led to The Battle of Hastings
Harold the King (UK edition)
I Am The Chosen King (US edition)
1066 Turned Upside Down -
an anthology of alternative stories

A post-Roman warlord and the story
of King Arthur as it might have really happened
The boy who became a man
The Man who became a King
The King who became a legend
Book One of the Pendragon's Banner Trilogy
The Kingmaking (UK edition - US edition)

Monday, 19 July 2021

TUESDAY TALK: A History Geek’s Guide to Building Historical Worlds by Nancy Northcott

 

where guests can have their say about...
anything they want!

Thank you for having me as a guest today, Helen! I always love having a chance to talk about history.

[Helen ... history? me too!]

Whether the setting is contemporary, historical, magical, or completely alien, a story’s world must feel real to the reader. It needs enough detail to give the reader a sense that the characters are walking through an existing place. So how much detail is enough for that? And how does a writer find that information for unfamiliar places or times? This post attempts to answer those questions.

I’ve had writers tell me they would love to write a story or a book with a historical setting but feel intimidated by all the history they don’t know. Even though I’m a lifelong history geek, I get it. The first book in my Boar King’s Honor trilogy, The Herald of Day, is set in England during the reign of Charles II, also known as the Restoration era. Even though I had general knowledge of the period from my history courses, I didn’t feel equipped to write about it. I knew the basics of the political conflicts but didn’t know how people lived or the particulars about social conflicts. So I tackled it the way I would any research project, one step at a time.

There are several steps for researching a historical period. I’m listing them in the order that works for me. Others favor different approaches and so may want to change that up. As with any writing-related process, each of us must do what works best for us.

Step 1: Paint the Background. Read a general history of the period. A chapter or two from a survey text (one that covers several hundred years) about the country in question will do. That offers an overview of what was happening in the time and place of the story’s setting. So will a book focused on that period, such as David Ogg’s England in the Reign of Charles II—very handy for my purposes!

Some writers may prefer to do this last as a way to find details they can incorporate into plots they’ve already conceived. I like to do it first so I can work from the general to the specific and because knowing the politics of an era sometimes gives me ideas. It can also help refine character sketches. 

A note here about the internet. It holds vast quantities of information, of course, but it’s a good idea to cross-check any information online because literally anyone who can buy a domain name and pay the hosting fee can set up a website. Managing one doesn’t mean the person who runs it actually has valid information.

Step 2: Color in the Era’s Details. If a plot involves a particular event or controversy at the time, reading one or two books focused on those issues is enough background to start. If that issue is central to the story, reading a bit more might help. The climactic action in the second book of the Boar King’s Honor trilogy, The Steel Rose, takes place at the Battle of Waterloo. Since the battle was crucial and not incidental, I read a great deal about it so I could find the most effective way to build it into the story. If I hadn’t wanted to tackle that, I could have framed the story to put the battle more in the background. 

Questions may arise later but can be dealt with when they do. A biography of a prominent figure of that era can also provide valuable information about the period’s society.

Step 3: Add the People. Once the period backdrop is established, the scene is ready for people. For me, as it is for many writers, plot and character are intertwined, so having the main characters generally sketched out is an early part of the process. Then I look at them against the setting of their time. As research continues, it offers ways to refine and shape those characters and their beliefs and conflicts so they’re tied into their era. For example, people during the Restoration era believed in witchcraft. An accusation could be fatal. In 1735, though, Parliament passed a statute ending prosecutions for witchcraft and related offenses.

Another aspect of characters’ lives that helps ground them in their era is their clothes. There are numerous books on clothing from different periods. Unless something about those clothes matters for the plot, knowing how the clothes were constructed, cared for, donned, or removed doesn’t matter. Dropping bits of those actions into a conversation can prevent a scene from merely being talking heads, if the writer wants to use those details, but there are plenty of ways to do that. 

Step 4: Put the People in Their Places. Once we know what people wore, we need to think about the rest of their lives. What were their homes like? Did they have servants? Did they eat lavish meals or scrape by? Those factors are determined by the characters’ jobs, if any, economic resources, and social rank. For The Herald of Day, I found Liza Picard’s Restoration London and Sara Paston-Williams’s The Art of Dining: A History of Cooking and Eating, with its chapters on how people ate in different eras, very useful.

There are books and websites about houses during particular eras, and a history of London (or Paris or New York or any major city) during the relevant time will usually offer a look at how people lived. City or area maps are also useful and can often be found on the Web or in local libraries.

Step 5: Dive Into the Story. Don’t worry about having all the information that might possibly be relevant before writing Chapter One. Do the research until you feel comfortable, and then start. That’s a different degree of study for each of us. Advance research won’t prevent questions from arising during the writing process. I keep a running list of things I need to check, tending to them every week or two.

Step 6: Put the World on the Page. The upside of research is learning a lot of interesting information. The downside is that we have to pick and choose which bits to include. Readers focus on the story and don’t want it bogged down with every intriguing or impressive fact the writer discovers. 

So how much is enough, and how much is too much? Where’s the line?

As with so much else, that depends. 

The story’s genre plays a big role in determining how much historical detail to include. Most historical romance readers seem to like history primarily as a backdrop, neither needing nor wanting much period detail. On the other hand, readers of historical fiction, where the history is the story’s spine, expect to be immersed in the era. So do readers of historical fantasy. Historical fantasy readers want a world that’s clearly drawn and is other from their own in significant ways. Mystery readers seem to fall somewhere in between, focused on the mystery but wanting the history to matter.

A good way to gauge what the story needs is to read our favorite books and/or those by highly successful authors in the story’s genre and see how much those writers include. Why not take our cues from those who’ve found a winning combination?

The canvas of history can seem daunting. There’s so much of it, after all, and diving into a new part can be like jumping into the deep end of the pool. Breaking the process of research down, though, can help focus on what’s necessary instead of the vast, baffling sea of facts and get the story moving.

Nancy Northcott is the author of the Boar King’s Honor trilogy. It follows the descendants of a wizard who unwittingly helped murder Edward IV’s sons, who are known as the Princes in the Tower. Tormented by guilt when King Richard III was wrongly blamed, the wizard cursed his entire line to not rest in life or death until they cleared the king’s name. Each book in the series sets the family’s efforts to lift the curse against a cataclysmic historical event.

Book 1: 

The Herald of Day: https://www.amazon.com/Herald-Boar-Kings-Honor-Trilogy-ebook/dp/B07RYW35DX/

Book 2: 

The Steel Rose: https://www.amazon.com/gp/product/B092V1RYLC

Book 3: 

The King’s Champion is slated for release in 2022.

Website: https://www.NancyNorthcott.com

Twitter: @NancyNorthcott

Pinterest: https://www.pinterest.com/nancynorthcott/

Facebook: https:// www.facebook.com/nancynorthcottauthor/

Goodreads: https://www.goodreads.com/author/show/3468806.Nancy_Northcott

Thank you again for having me, Helen!

[my pleasure!]

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A new edition with new additional scenes

When the only choice is to run, where do you run to?
When the only sound is the song of the sea, do you listen?
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Throughout childhood, Jesamiah Mereno has suffered the bullying of his elder half-brother. Then, not quite fifteen years old, and on the day they bury their father, Jesamiah hits back. In consequence, he flees his Virginia home, changes his name to Jesamiah Acorne, and joins the crew of his father’s seafaring friend, Captain Malachias Taylor, aboard the privateer, Mermaid.

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Helen's cosy mystery set in 1970s north London 

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A Mirror Murde
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Eighteen-year-old library assistant Jan Christopher’s life is to change on a rainy Friday evening in July 1971, when her legal guardian and uncle, DCI Toby Christopher, gives her a lift home after work. Driving the car, is her uncle’s new Detective Constable, Laurie Walker – and it is love at first sight for the young couple.

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Lots of nostalgic, well-researched, detail about life in the 1970s, which readers of a certain age will lap up; plus some wonderful, and occasionally hilarious, ‘behind the counter’ scenes of working in a public library, which any previous or present-day library assistant will recognise!” Reader Review