Stepping Back Into Saxon England: Lady Godiva – Who Was She, and Did She Really?

by Annie Whitehead

One of the most famous (or should that be notorious?) Anglo-Saxon women is Lady Godiva or, to give her her Old English name, Godgifu. And the thing she’s famous - or notorious - for is her naked horseback ride through Coventry.

But who was she, and did she really? And what did she have to do with my contribution for the anthology of 'What If' stories,  1066 Turned Upside Down?

First, that horse ride. The story goes that Leofric (her husband) founded the monastery at Coventry on the advice of his wife. He endowed the foundation with so much land, woods and ornaments that ‘there was not found in all England a monastery with such an abundance of gold and silver, gems and costly garments.’ Godgifu was keen to free the town of Coventry from such a financial burden, and yet when she spoke to her husband about it, he challenged her to ‘Mount your horse, and ride naked, before all the people, through the market of the town, from one end to the other, and on your return you shall have your request.’ Whereupon, she ‘loosed her hair and let down her tresses, which covered the whole of her body like a veil, she rode through the market-place, without being seen, except her fair legs, and having completed the journey, returned with gladness to her astonished husband’, who then freed the town from the aforesaid service, and confirmed what he had done by a charter. 

Except…the only source we have for the story is Roger of Wendover, a monk writing in the thirteenth century. Other sources suggest that the founding of Coventry was a joint enterprise (and none mentions the horse ride). A chronicle ascribed to a monk at Worcester, which is only just over forty miles from Coventry, written before 1118, stated that Leofric and Godgifu were jointly responsible: ‘[Leofric] was buried with all pomp at Coventry; which monastery, among the other good deeds of his life, he and his wife … had founded.’ 

It has been suggested that the documents recording Leofric founding Coventry were later forgeries and it might in fact have been Godgifu’s own lands which were used. (We know that she was a wealthy woman; possibly originally from northwest Mercia, she held lands in Leicestershire, Warwickshire, Staffordshire and Shropshire.)

Along with the lack of corroboration for the story, the political situation at the time casts further doubt. Leofric of Mercia was a leading political figure. In the eleventh century, the old Anglo-Saxon kingdoms had become ealdordoms, or earldoms. Godgifu married into the leading Mercian family; her husband inherited his earldom from his father and passed it onto his son. In fact four generations of the family became earls of Mercia, the only family to achieve such a feat in this period. Leofric was described as pious, and being ‘but a moderate drinker’ and prayed in secret when his drunken companions were asleep. He was in power for over twenty years ‘without violence or aggression’. He was heavily involved in the succession crisis created by the death of Cnut, when two contenders vied for the throne. One, Harold Harefoot, was Cnut’s son by Ælfgifu of Northampton, and the other, Harthacnut, was his son by Emma of Normandy. At this time there were three leading earls, and Leofric was one of them. This particular game of thrones was very much directed by the two royal mothers, Ælfgifu and Emma, and was heavily reported. Had another high-ranking woman, wife of a leading and rather staid nobleman, done a public striptease, I think it would have been commented upon. One of the more contemporary records for this period, the Anglo-Saxon Chronicle, is quite detailed by this stage, giving over pages and pages to each year, as opposed to one sentence summaries for earlier centuries, but it doesn’t mention the horse ride. 

Much of Leofric’s political career, and that of his son and grandsons, was tied up with the fortunes of Earl Godwine, and his son, Harold (he of the alleged 1066 arrow in the eye).

Leofric’s politics differed from that of Godwine, but all differences remained relatively civil. Not so when it came to these men’s sons.

 In 1051, Godwine’s earldom stretched from Kent to Cornwall. He was father-in-law to the king of England, and his son Harold was earl of Essex, East Anglia, Cambridgeshire and Huntingdonshire. And this, strange as it may seem, is the start of the events that led to Godgifu playing a part in my story. Following an incident in that year, Godwine and his family were temporarily banished and Harold’s earldom of East Anglia was given to Ælfgar, son of Leofric and Godiva. But by 1052 the Godwines were back, which meant that Ælfgar was displaced from East Anglia. He regained the area briefly, but in 1055 he himself was outlawed, possibly on trumped-up charges. He launched a fightback, with the help of Gruffudd, king of the Welsh and, long story short, got East Anglia back. When Leofric died, Ælfgar succeeded him in Mercia, but the following year he was banished again, returning once more with the help of Gruffudd and around this time his daughter Ealdgyth was married to Gruffudd. Just a year or so after Ælfgar died, Gruffudd, crucially, was killed when Harold Godwinson and his brother Tostig launched an attack on North Wales. 

Had Ælfgar lived, it is unlikely that he would have supported Harold Godwinson’s election to the throne. He, far more than his father, had reason to resent the Godwines. He had been banished twice, and both times Harold had been involved. His son Edwin took over from him in Mercia, and another son, Morcar, became earl of Northumbria after Harold’s brother Tostig was disgraced. At some point in 1066, Harold married their sister, Ealdgyth. How she felt about being married to the man responsible for killing her first husband, we don’t know.

And this is the set up for my story in 1066: A mighty Mercian family pledged by allegiance and marriage ties to King Harold, but ever-present is the doughty grandmother, who has every reason to hate Harold Godwinson and his family. The brief was also to add a twist to the tale, so I looked at this rivalry between the two families, and I ran with it...

Little more is known of Godgifu. There was a later rumour that Hereward the Wake was her son, but there’s absolutely no evidence to support this. We don’t know when she was married, but as Leofric became an earl in 1023, it’s possible that they were married as early as 1010, and that she might have been born around 990. If she died even shortly after 1066 then she might have been well into her seventies, having lived through the reigns of Æthelred the ‘Unready’, Swein Forkbeard and Cnut, Harold Harefoot and Harthacnut, Edward the Confessor and Harold Godwinson, and lived to see William of Normandy crowned king of England. 

Pious, rich - in her own right as well as through her marriage - and an old lady to be reckoned with. But riding naked through the streets? I don’t think so. (But read the story, because she remembers it differently…)##

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About Annie Whitehead:

Annie has written three novels set in Anglo-Saxon England. To Be A Queen tells the story of Æthelflæd, Lady of the Mercians. Alvar the Kingmaker is set in the turbulent tenth century where deaths of kings and civil war dictated politics, while Cometh the Hour tells the story of Penda, the pagan king of Mercia. All have received IndieBRAG Gold Medallions and Chill with a Book awards. To Be A Queen was longlisted for HNS Indie Book of the Year and was an IAN Finalist. Alvar the Kingmaker was Chill Books Book of the Month while Cometh the Hour was a Discovering Diamonds Book of the Month

As well as being involved in 1066 Turned Upside Down, Annie has also had two nonfiction books published. Mercia: The Rise and Fall of a Kingdom (Amberley Books) will be published in paperback edition on October 15^th, 2020, while her most recent release, Women of Power in Anglo-Saxon England (Pen & Sword Books) is available in hardback and e-book.

Annie was the inaugural winner of the Dorothy Dunnett/HWA Short Story Competition 2017.

Connect with Annie:

http://viewauthor.at/Annie-Whitehead

https://anniewhitehead2.blogspot.com/ 

https://twitter.com/AnnieWHistory

https://anniewhiteheadauthor.co.uk/

https://www.facebook.com/anniewhiteheadauthor/  

"Many people know about Wessex, the ‘Last Kingdom’ of the Anglo-Saxons to fall to the Northmen, but another kingdom, Mercia, once enjoyed supremacy over not only Wessex, but all of the Anglo-Saxon kingdoms. At its zenith Mercia controlled what is now Birmingham and London ‒ and the political, commercial paramountcy of the two today finds echoes in the past. Those interested in the period will surely have heard of Penda, Offa, and Æthelflæd, Lady of the Mercians ‒ but remarkably there is no single book that tells their story in its entirety, the story of the great kingdom of the midlands..."  ...but there is now!

available in paperback from 15th October

or pre-order now!

http://mybook.to/MerciaRiseandFall

Follow the tour - a joint venture with 

Annie Whitehead  and Helen Hollick

 1st October : Annie Whitehead - hosted by Helen Hollick

Lady Godiva – Who Was She, and Did She Really?

Let Us Talk Of Many Things

2nd October : Helen Hollick - hosted by Nicola Cornick

Why Do We Do It?

Word Wenches

3rd October : Annie Whitehead - hosted by Lisl Zlitni

Who Was the Lord of the Mercians?

Before the Second Sleep

4th October : Helen Hollick - hosted by Tony Riches

Undoing The Facts For The Benefit Of Fiction?

The Writing Desk

5th October : Annie Whitehead - hosted by Pam Lecky

Murder in Saxon England

Pam Lecky

6th October : Helen Hollick - hosted by Derek Birks

King Arthur? From Roman Britain To Saxon England

Dodging Arrows

7th October : Annie Whitehead - hosted by Samantha Wilcoxson

Æthelflæd's Daughter 

Samantha Wilcoxson

8th October : Helen Hollick - hosted by Cryssa Bazos

An Anthology Of Authors

Cryssa Bazos

9th October : Annie Whitehead - hosted by Elizabeth St John 

Anglo-Saxon Family Connections

Elizabeth St John

10th October : Helen Hollick - hosted by Judith Arnopp

Alditha: Wife. Widow. Mother.

Judith Arnopp

11th October : Annie Whitehead - hosted by Brook Allen

Roman Remains - Did the Saxons Use Them?

Brook's Scroll

12th October : Helen Hollick - hosted by Amy Maroney

Emma Of Normandy, Queen Of Anglo-Saxon England – Twice

Amy Maroney

13th October : Annie Whitehead - hosted by Simon Turney

Penda: Fictional and Historical 'Hero' 

Books & More

14th October : Helen Hollick - hosted by Annie Whitehead

The Battle Begins...

Reads Writes Reviews

15th October : Annie - Casting Light Upon The Shadow

and 

Helen - Let Us Talk Of Many Things

joint post hosted by both of us 

We hope you will enjoy 'Stepping Back Into Saxon England' 

with us!

Shining A Light On Annie Whitehead's Alfreda and Káta

A series where my guests are female writers 

talking about their female characters

(and yes, I'll be doing the chaps next!)

Today: 

Annie Whitehead's

and

Alfreda and Káta 

from

In a great hall, somewhere in Anglo-Saxon England, two characters from the novel Alvar the Kingmaker, meet over a glass of mead. One is Queen Alfreda, whose second husband was King Edgar, and whose son was King Æthelred the Unready. The other is a Cheshire noblewoman, Káta, whose husband was Alvar’s trusted deputy.

Káta wears a simple gown, not shabby, but without adornments. Alfreda wears expensive silk, and her fingers are heavy with gold rings. Káta sits with hands in her lap, and she looks down at them. She has never been confident about eye-to-eye contact. Alfreda appears to be looking past Káta, as if she’s barely acknowledging her right to be in the same room. The author has her doubts about this meeting, and she’s ready to step in if needed.

Alfreda: We never met, did we? 

Káta: Well, we did, but I don’t think you noticed me. But I think our author deliberately kept us apart for most of the story.

Alfreda: Did she think we would not like each other? 

Káta: I think it was more that we both loved the same man. [She takes a moment to steady her breathing.] So tell me about your life, because I think I misunderstood. I was so envious of you - you had the king, you had the riches, and you had Alvar.

Alfreda: Did I? Oh yes, well, it all sort of came naturally to me. I did have to make a few things happen though. We have to do what we can to make ourselves safe. Why did the author tell our story, do you think? I never knew much about you and I could never understand why Alvar spent so much time at your house.

Káta: Well, he came to see my husband. There was nothing untoward. Until…

Alfreda: Oh yes, that nasty business about the death? That really did upset my life and all my plans.

Káta: Did it? You know that my family suffered a great deal over that. It was a difficult time for me, too.

Alfreda: Hmm. Yes, it meant that Alvar spent even more time at your house when he should have been helping me.

Author: Your highness, a little less haughty, if you please. This woman is nice; she could be your friend if you let her. [To the audience]: But Alfreda is not the kind who has women friends. She won’t reveal her inner heartache, she is far too proud, but I can tell you. She knows her appeal, and is well aware of her allure. That beauty was nearly the breaking of her, causing her to hide away. One day she made a fateful decision which changed her life. After that, she learned to use her beauty, and she captured a king’s heart. She was safe then, but that safety came at a heavy price. As for Káta…

Káta: Excuse me for interrupting, but… Are we real? 

Alfreda: Well, I am. I was the first consecrated queen. It is well documented.

Káta: Oh, well I’m sure you are then. I feel real…

Author: You were real. You weren’t much written about and I only found you by accident in a footnote, and I changed your name but yes, you were real. In fact you were the inspiration for this story, because I wondered who you were, and what part you played in Alvar’s story. [To the audience]: This makes Káta blush, because she is really bad at taking a compliment. It’s true though, that she was the inspiration for the story. She too, had her heartache, but she became strong in a different way, always remembering what her pioneering mother said about life, and how one must always look forwards, never back.

As for the question, did they meet? Yes, although they never should have done. They both loved Alvar, but he was the servant of one’s husband and the lord of the other’s and fiercely loyal to both. He knew how fragile the queen was, but he was always drawn to the simple sweet life that Káta lived. She stayed away from court. She was practical, and capable, and also fragile in her own way. The women had little other than Alvar in common, and it was a terrible tragedy that brought them together.

Alvar the Kingmaker is the recipient of a Discovering Diamonds award, a Chill with a Book Readers’ Book of the Month award, and has been honoured with an IndieBRAG Gold Medallion. 

http://mybook.to/AlvartheKingmaker

“The story, based on true events, begins when the king is caught in bed with his wife and her mother, and ends with the murder of another king, a crime attributed to his stepmother, the queen. Central to the story is Alvar, earl of Mercia. Having helped King Edgar to secure the throne, amid great unrest he must fight to clear the queen’s name, bring the country back from the brink of civil war, and stabilise the monarchy for Edgar’s son, Æthelred the Unready. He does this at great personal cost, and his enemies will stop at little: Abbot Dunstan, banished, recalled, and in no mood to forgive. Bishop Oswald, the ambitious foreigner who will let nothing stand in his way. They must not discover Alvar’s secret love for the wife of his deputy, whilst Alvar must keep her safe, and serve and protect the queen, who is in love with him and who harbours a dark secret of her own…”

Praise for Alvar the Kingmaker:

“The conflicts between different factions and rival individuals surrounding Alvar’s life are convincing. They keep the drama flowing, and the women in the novel are nicely drawn, fulfilling the lifestyle expected of females at that time yet showing their individual personalities. They also have key parts in the action; Kata, for instance, the love of Alvar’s life, is depicted as quiet yet emotionally strong and open-minded.” Historical Novel Society

Amazon: http://viewauthor.at/Annie-Whitehead

Website: https://anniewhiteheadauthor.co.uk/

Blog: https://anniewhitehead2.blogspot.com/ 

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