Q: Hello,
I’m Helen, please
do make yourself comfortable. Would you like a drink? Tea, coffee, wine –
something stronger? You’ll find a box of chocolates and a bowl of fruit on the
table next to you, please do help yourself. I believe you are a character in
Cryssa Bazos’s novel entitled Severed
Knot. Would you like to introduce yourself? Are you a lead character or a
supporting role?
A: My
thanks, lass. Would you happen to have a stout ale in the buttery? I’ve had no
decent drink since arriving in Barbados. Rather, I’m forced to quench my thirst
on mobbie, a bland drink brewed from some infernal vegetable.
Right, to introduce myself, I’m Iain
Johnstone from Dumfries, Scotland. You can also call me Locharbaidh, a byname I
give only my friends leave to use. I’ve been a soldier in the Scottish army, a
moss-trooper, a prisoner of war, and now I’m forced to be an indentured servant
on a Barbados sugar plantation—though that won’t be permanent, not if I have
anything to say about it. I’m one of the two main characters—settles back in his chair and smiles—though
not the bonny one to be sure.
Q: What is the novel about?
A: Well
you see, after Charles Stuart attempted to take back his father’s English crown—the
Southroners call him the Scottish King, but he’s as much theirs as he was ours,
even if you don’t care for him—the might of the Scottish army was defeated at
Worcester. Those who hadn’t died on the field became prisoners of war. The
greedy English transported us to their colonies in the New World and the West
Indies. I, and my men, found ourselves in Barbados where we were sold to a
sugar plantation. There were others there too, including Mairead O’Coneill, a
lass from Ireland who had no business being taken from her home. I’ve been
hatching plans with my men for all of us to escape this infernal island, aye,
though it’s not as easy as you might think.
Q: No
spoilers, but are you a ‘goodie’ or a ‘baddie’? (Or maybe you are both!)
A: Depends who you ask. There’s a slimy hanger-on named Dunsmore who gives
me no end of grief, but we’re stuck with him for now. I didn’t make a good
impression on Mairead the first time we met either. Barked at her like a
deranged ogre—not my best moment, aye. That’s what she calls me sometimes—ogre.
But underneath my bluster and occasional foul language, I’m a good man. If
you’re one of mine, I’ll nae forsake you.
Q: Tell me about another character in the novel
– maybe your best friend, lover or partner … or maybe your arch enemy!
A: Aye
my lass, Mairead. She’s my best friend, my lover and partner in this
hellish place, though not in the beginning. I chaffed at the extra burden of
trying to keep her safe—not an easy task, aye. After being forced to work
together, I grew a fondness for the woman and then eventually discovered deeper
feelings. I still like to tease her, get her gander up by calling her Mouse,
being such a wee thing that she is. But although she looks like she might blow
away like fluff on a light breeze, the lass has a spine forged of steel. She’s
kept up with the best of them, though she does have a tender heart. Did I
mention her musical talent? She’s brilliant with the violin. I could listen to
her play all day.
Q: Is
this the only novel you have appeared in, or are there others in a series?
A: I
showed up in Traitor’s Knot after my
moss-troopers tried to steal horses from James Hart’s company late one night.
We only managed a few beasties, but in the end we came to an understanding and
I agreed to lead him and his men safely to Stirling. Hart’s a good lad and
enjoys a fine adventure. My part would have been greater in that novel, but our
author gave us a right scolding over our side adventures through South
Lanarkshire—blamed me for it, if you can credit that—and forced us back on the
road to Stirling. We had a good time while it lasted.
Q: What
is one of your least favourite scenes you appear in?
A: Barbados was a cruel, hard
place, and I hated having to take orders from the overseer Potts when he
deserved to be put in his place, nose ground into the dirt. But even more, I
hated that moment when I realized that for Mairead and me to get what we both
want—to return home—we’d have to give up what we most needed—each other.
Q: And
your favourite scene?
A: Hearing Mairead play her violin for the first
time. You should have seen her, my lass, taking her place at the crushing mill
with a violin and bow. Her music tore through the layers of gristle I’ve
wrapped around myself over the years. Reminded me of better days, her tune did.
That was the moment when I realized that I loved her. Nothing was ever the same
after that.
Q: Tell me a little about your author. Has
she written any other books?
A: Aye, just one—Traitor’s
Knot. She always bemoans that she’s a slow writer, but we don’t make it
easy for her either, insisting as we do that she throw us into the thick of a
turbulent era. But I ask you, lass, can you see me lounging without occupation
in a drawing room? Nay, I’d rather be riding out into the teeth of a storm. Our
author has no shortage of ideas to write about, but the lass keeps begging for
Hermoine Granger’s Time Turner. I’ve no ken who Mistress Granger is, but
Mairead believes she must be a witch if she can freeze time.
Q: Is
your author working on anything else at the moment?
A: Aye, a third book, this time featuring the morally
ambiguous barrister named Nathaniel Lewis who appeared in both Hart’s story and
mine. Nathaniel Lewis is a crafty, pompous dandy, and I don’t trust him beyond
my nose. But he is a genius at greasing the right wheels, aye, though his
methods may be questionable. His story is bound to be full of spying and
political shenanigans, if you care for that shifty nonsense. Our author has
promised to crack open that nut and expose his darkest secrets. Good on him, I
say.
Q: How
do you think authors, such as your author, can be helped or supported by
readers or groups?
A: Forget my author—all her characters are a vain lot
and we want to hear how much we’re loved by readers. All right, don’t forget
her, she created us after all. Readers, leave a review wherever you prefer, on
the retailer’s site where you bought the book or on Goodreads, or both to let
the world know who we are. My author writes for the love of the story, and
hearing from readers who have enjoyed her stories makes her do a happy dance.
The lass is fairly smitten with our Scottish King, Charles II, and she’d lose her head if he would deign to drop by for a dish or two. Claims to love his wit. What do I think of the man? The Stuart is a cat—lands on his damned feet more often than not. The rest of us on the other hand...
Portrait by William Dobson, c. 1642 or 1643 |
Captain Hogendorp, the good man who got us home, would be welcome—the Dutchman is what you’d call a foodie.
Colonial (VOC) Captains chest from the noble Van Hogendorp family estate |
Who else would she have? [Leans back and scratches his chin thoughtfully.] The lass does have a soft spot for Eugene Delacroix, the French Romantic Master. Admires his writing as much as his paintings.
Speaking of writing, the lass would have the Scottish writer Mary Stewart at her table. A place of honour, no doubt. All the lads would demand a reading. Aye, I’d like that too.
Thank you Iain, it was a pleasure
talking to you. Would your author like to add a short excerpt? And while she is doing that… chatting is
thirsty work, would you like a refill of that drink…
A. Aye, you’re an angel, lass!
EXCERPT
Iain’s
muscles screamed. Forced to kneel into the hard-packed dirt, his shoulders
ached and his thighs burned. The moment when any of them stirred to adjust
their position, one of the guards descended upon them like ravenous midges.
Dunsmore got the latest cuff to the head, but Iain couldn’t even take
satisfaction in that.
A
sizeable crowd gathered in the merchant’s yard for the auction. People
continued to pour into the sunbaked square, some riding braying donkeys while
others arrived on foot. English men and women in light-coloured clothing
exchanged greetings and cast speculative glances at the first ten men on the
block. Iain avoided their stares. Contempt was a sour taste in his mouth. He
wanted to spit at them, spew them with the fury churning his gut. Instead, he
fixed his gaze at the warehouses in the distance.
A bell
clanged, dampening the chatter but heightening the anticipation. The auctioneer
swaggered across the stage, his rounded belly hanging over his breeches. He
lifted a hand to greet the crowd before motioning to one of his assistants.
“I’ll start with that one,” he said, indicating Iain.
“Get up,”
the factor said, nudging him with his boot.
Iain
didn’t move. Damned if he was going to make their job easier.
“Look
lively.” This time the factor gave him a swift kick.
Iain
stayed where he was. “Bugger off,” he growled.
He heard
a movement behind him, but before he could react, the rope that was looped
around his neck jerked tight. Iain’s hands flew to his neck. The rope pressed
against his throat, choking his breath.
“In five
minutes, you’ll be someone else’s problem,” the factor hissed in his ear. “But
right now you’re my concern and damned if I let a stubborn Scotsman bleed my
commission.” He yanked on the rope, forcing Iain to scramble to his feet. “I’ll
strangle you first.”
“Go
ahead.” Iain’s words came out in a harsh rasp. He didn’t much care what
happened to him anymore.
The
factor smiled grimly, showing a crooked row of teeth. His breath reeked of grog.
“Rather die, would you? Play nice or I’ll remove you from the block and
off-load you privately. I’ll sell you to one of the worst devils in the West
Indies; then you’ll really plead for death.” The smile was brittle and hard.
“Do we have an accord?”
Iain knew
when someone was bluffing, and there wasn’t one scrap of a lie showing in the
man’s rheumy eyes. “Aye.”
The
factor studied him a moment longer before nodding. He slackened the pressure on
the rope. “Wouldn’t want to lower your price. The good plantation owners don’t
like cheek in their servants,” he said before shoving Iain towards the
auctioneer.
With
bitter bile, Iain climbed the block and stood there on display.
CONNECT WITH Cryssa Bazos through her Website, Facebook, Twitter, and Amazon Author Page. Severed Knot is available through all online retailers. For Amazon,
click HERE; for Kobo, Barnes &
Noble, Apple, Google Books, or Angus & Robertson, click HERE.
This interview was so fascinating, I found myself reading Iain's answers in what I perceived as a Scottish accent (likely tinged with German undertones). Too little is known of so many from the British Isles having been traded into slavery to the West Indies. Great Interview, Cryssa.
ReplyDeleteI agree, Inge - we automatically think of Black African slaves, not the white people from Scotland (and Ireland).
DeleteI like Iain in the first novel, so look forward to reading the sequel when I reach it in my pile of TBR books, soon. Great to meet him like this.
ReplyDelete