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Thursday, 7 May 2020

A Novel Conversation with Amy Maroney and Mira, the Girl From Oto

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To be a little different from the usual 
'meet the author' 
let's meet 
character... 
Mira
Hemessen-Selbstbildnis.jpg

from

Q: Hello, I’m Helen, host of Novel Conversations, please do make yourself comfortable. Would you like a drink? Tea, coffee, wine – something stronger? You’ll find a box of chocolates and a bowl of fruit on the table next to you, please do help yourself. I believe you are a character in Amy Maroney’s novel The Girl from Oto. Would you like to introduce yourself? Are you a lead character or a supporting role?  
A: Hello, Helen. My name is Mira. I am pleased to make your acquaintance. I am a lead character. In fact, you could call me the heroine. Thank you so much for the refreshments. I have never tasted tea or coffee, but I would be pleased to sip some wine as we talk. What are chocolates? I shall have a taste. OH!!!! This is quite possibly the best thing I have ever eaten. No, it absolutely is the best thing I have ever eaten. I grew up eating mostly porridge, turnips, cabbage, coarse bread, cheese, and the occasional bit of meat. Apples and cherries are the only sweets I eat, unless I’m in a merchant’s home—where I have tasted cream tarts and sugared almonds.
Helen [laughs] I can assure you -- chocolate is a great improvement on cabbage!

Q: What genre is the novel and what is it about?
A: The genre is historical mystery/thriller with a dual historical /contemporary narrative. It tells the story of a Renaissance-era female artist (me) and the modern-day scholar on her trail. I wish I could travel five hundred years into the future and meet Zari, the woman who follows me deep into history’s shadows. She’s quite impressive—and more than a little obsessive.

The tower of Oto,
inspiration for Mira's home
photo courtesy La Torre de Oto
Q: No spoilers, but are you a ‘goodie’ or a ‘baddie’? (Or maybe you are both?)
A: Growing up in a convent, I was all too aware of my shortcomings and failures. I did, however, try to be good. I will admit there were many times I did not want to be good. I have also done some things in my life that no sane person would describe as good. Some would even declare I ought to go to Hell for what I’ve done. On the other hand, if I had not done those things, I would be dead, so I have no regrets.

QTell me about another character in the novel – maybe your best friend, lover or partner … or maybe your arch enemy!
A: As I said above, I am an artist. There is another artist in the book, my friend Sebastian de Scolna. He is a renowned painter from Flanders and he’s quite devout—he made the pilgrimage to Compostela more than once. Unfortunately, during one of those journeys, a terrible misfortune befell him on a mountain road in the Pyrenees. That was when I met him. I don’t dare give away too much of the story, but Sebastian is like an uncle or perhaps a grandfather to me now. He looks for the good in people, he has a lovely sense of humor, and he is a gentle soul.

Q: Is this the only novel you have appeared in, or are there others in a series?
A: This is the first of three novels in the Miramonde Series,  a trilogy which I can honestly say is all about me.

Q: What is one of your least favourite scenes you appear in?
A: I was taught to use weapons at a young age (yes, I grew up in a convent—but believe me, it was an unusual arrangement). I never had to wield them until one horrible day when I unsheathed my dagger and fought for my life. I hoped never to have to wield it again—but unfortunately defending myself is something I have become accustomed to.

Q: And your favourite scene?
A: A reunion with a beloved family member whom I had believed was dead. It wasn’t an easy reunion…it tore at my heart. But it was beautiful nonetheless.

Q: Tell me a little about your author. Has she written any other books?
A: Amy Maroney was so captivated by my story with The Girl from Oto that she went on to write two more books about me: Mira’s Way and A Place in the World.

Q: Is your author working on anything else at the moment?
A: Yes, she has found another artist heroine to bring to life. My starring role in her work has come to an end. I am not churlish about it, though, because I am ready for a bit of privacy. Quite frankly, having an author inside one’s head all the time is quite fatiguing. But I digress. Back to Amy’s new project: This historical thrillers series will feature a woman born on the Greek island of Rhodes in the 1400s when it was ruled by the Knights Hospitaller. I hope she has plenty of courage, for the woman has loads of adventures ahead of her—some joyous, some terrifying—in various maritime ports of Europe.

Q: How do you think authors can be helped or supported by readers or groups? What does your author think is the most useful for her personally?
A: Amy is quite appreciative when readers tell other readers about her work, when they write reviews of her books, and when they suggest her books to their books clubs. She finds this “word-of-mouth” marketing incredibly helpful.


Q: If your author was to host a dinner party what guests would she invite and why? Maximum nine guests – real, imaginary, alive or dead.
A : Amy is intrigued with European women artists, and I know she would love to host of gathering of these real women of history, along with her own fabricated version of them (me). To that end:

Me (Mira)
Paints, Colorful, Painting, Arts, Artist

Portrait attributed to Catherina Van Hemessen,
one of the real artists who
inspired the character of Mira

Guda, 12th c. artist nun
Lavinia Fontana - Self-Portrait in a Tondo - WGA7986.jpg

Self-portrait at the Easel Painting a Devotional Panel by Sofonisba Anguissola.jpg


Judith Leyster, Self-Portrait, c. 1630, NGA 37003.jpg


 

Thank you, Mira, it was a pleasure talking to you. Would your author like to add a short excerpt? Why yes, thank you…the excerpt is below.

H: Meanwhile, chatting is thirsty work, would you like a refill? I’ll have another Gin and Tonic  I think.
M: More wine would be lovely, thank you...On second thought, perhaps I shall join you and try a Gin and Tonic. It sounds most enjoyable!
H: Salute! Here’s to writing a best seller!


           
Find The Girl from Oto on Amazon mybook.to/girlfromoto
To get The Promise, a free prequel novella to the Miramonde Series, join Amy Maroney’s readers’ group at www.amymaroney.com
Find her on Twitter @wilaroney
Instagram @amymaroneywrites, and Facebook.



Excerpt from The Girl from Oto:

“My lady, the baby can’t wait any longer.”
Silence.
Elena raised her voice. “Lady Marguerite! There’s more yet to do. Rouse yourself.”
“Why do you shout at me so? Will you not let me sleep?” Marguerite turned her head toward Elena, her eyelids half open.
Elena felt uneasy, looking into those eyes. They were silvery green, like the hide of a tree frog, and the black lashes that framed them were spindly as spiders’ legs. Perhaps it was this contrast of light and dark that made them so unsettling. Or the long, slanting sweep of them. Or their size, for they seemed much too large for the woman’s angular face. Whatever it was, there was something more feline than human about them, and Elena had never been fond of cats. She looked away and put a hand on the distended belly.
“If you wish your baby to die, by all means sleep.” Something hard—a knee? A foot?—pressed against her palm with urgent, fluttery movements. “If you wish your baby to live, then push. Now make your choice.”
The glowing eyes found hers. A pale slender hand slipped into her own strong brown one. The young woman on the bed took a deep breath, set her jaw, and bore down.
__________

The night was half gone when the baby was born. She squirmed and flailed her limbs, gulping air into her lungs and pumping it out again with wild shrieks. Elena cleaned her, swaddled her, and thrust her into her mother’s arms.
Marguerite bent her head over the baby. “A girl. God help me.”
The newborn quieted and stared unblinking at her mother. After a few moments of utter stillness, she opened her tiny red mouth and began rooting for a breast.
“She will be called Miramonde,” Marguerite said softly. “One who sees the world.”
“How much can a girl see from behind a wall?” Elena asked.
Marguerite shook her head. “She will not be caged. When she is old enough, she will learn the ways of the mountain people.”
Elena stared. “Who will teach her?”
“You.”

3 comments:

  1. Great to catch up with Mira again - having read all three books in the trilogy I'm missing her now! The new project sounds exciting though - looking forward to that!

    ReplyDelete
    Replies
    1. Thanks Annie - and me too re the new project!

      Delete
  2. Blogger being its usual unhelpfulness, Amy couldn't post a comment she says: "This looks lovely, Helen -- not only did I enjoy reliving the conversation again, but the photos look terrific, too. Thanks for having me (and Mira) on your blog! It's been a delight."

    My pleasure Amy!

    ReplyDelete

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Helen